ArtStorming the Art of Remembrance: Harry Weil

Send us Fan MailA cemetery can be a punchline, a sanctuary, a history lesson, and a living arts venue all at once, if we let it. I’m joined by Harry Weil, vice president of education and public programs at Brooklyn’s historic Green-Wood Cemetery, to talk about how a place built for the dead is quietly becoming one of New York City’s most surprising spaces for culture, community, and honest conversations about mortality. I want to take another minute to remind you listeners that ArtStorming is a listener-supported non-profit, and we need your help to keep the conversation going. Every dollar goes directly into programs that support our mission. That means more compelling stories, more in-depth articles, and a greater impact on our community. If you love what you hear, please consider making a contribution. Visit our website for more ways to engage, and thank you for being an essential part of our work.  We're going to pause here for a moment to speak to our listeners. if you like this content, and want more information on our guests, their projects and more indepth ways to engage with us, you can find us on ArtBridgeNM.org or our ArtBridge Substack. Please read, follow and share our content. Your subscriptions, shares and contributions help us grow our artistic community. Thank you and now back to our conversation.Music for ArtStorming was written and performed by John Cruikshank.