Audiation Series, Part 8 -- Stage 2d: We Discern Macro Beats and a Pitch Center.

Bernstein, Leonard. 1966. The Infinite Variety of Music. New York: Simon and Schuster.Bernstein, Leonard. 1976. The unanswered question: Six talks at Harvard. Cambridge, Massachusetts: Harvard University Press.Bluestine, Eric. 1995. The ways children learn music: An introduction and practical guide to music learning theory, 1st edition. Chicago: GIA.Gordon, Edwin. 1986. Manual for the Primary Measure of Music Audiation and the Intermediate Measures of Music Audiation. Chicago: GIA.Gordon, Edwin. 2012. Learning Sequences in Music: Skill, Content, and Patterns. Chicago: GIA.Rasmussen, Eric and Taillefer Beau: https://audiation-in-the-wild.simplecast.com/episodes/s3309-dr-terry-bacon-discusses-renorming-pmma.Reimer, Bennett and Gordon, Edwin. 1994. “The Reimer/Gordon Debate on Music Learning: Complementary or Contradictory Views?” MENC National Biennial In-service Conference in Cincinnati, Ohio. Audio Tape Stock #3004, ISBN 1-56545-052-3Taggart, C. C., Bolton, B. M., Reynolds, A. M., Valerio, W. H., & Gordon, E. E. (2000). Jump right in: The general music series (2nd ed.). GIA Publications.Terry, Keith. (Director & Performer). 2002. Body Music, Part One [DVD]. Crosspulse Media. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ericmbluestine.substack.com