Authors, Abnormality, and Identity in Modern Japan (Assoc. Prof. Pau Pitarch)

In this episode of “Rigorous Research, Real Impact,” Graduate School of Political Science PhD student Peter sits down with Associate Professor Pau Pitarch from the Faculty of Letters, Arts and Sciences to explore how early 20th-century authors and artists in Japan reimagined their identities. Prof. Pitarch unpacks why writers in the 1920s proudly identified with mental “abnormality” as a mark of creative genius, and how global currents in psychology, art, and modernity shaped this unique cultural moment. The conversation also delves into Professor Pitarch’s personal journey into Japanese literature, the value of studying culture within Japan using a global lens, and what makes Waseda’s English-based degree programs in the Faculty of Letters, Arts and Sciences—JCulP and Global-J—such vibrant spaces for international learning and discovery.This episode is based on the following research: Pitarch-Fernandez, P. (2021, June 23). Abnormal genealogies: Diagnosing the writer in 1920s Japan. Modernism/Modernity Forum. https://doi.org/10.26597/mod.0205About the GuestAssociate Professor Pau Pitarch’s specialization is modern Japanese literature and media. He is interested in exploring how issues of aesthetics, psychology, ideology, and economics interacted in the formation of the modern literary field. He has published on authors like Akutagawa Ryūnosuke, Chŏng Yŏn-gyu, Okamoto Kanoko, Ōtsuka Kusuoko, Satō Haruo, and Tanizaki Jun’ichirō, among others. His wider interests include narratology, translation, and the development of global genres such as mystery, fantasy, horror, and science fiction. Pitarch received his B.A. in Comparative Literature from Universitat Autònoma de Barcelona, M.A. in Japanese Literature from the University of Tokyo, and Ph.D. in Japanese Literature from Columbia University. He previously taught at CUNY Queens College (2015-2017).Link to the transcript: https://www.waseda.jp/top/en/news/86633