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Hello and welcome to another music related episode of the Raw Impressions Podcast. This is part four of the bake sale series. Is it the final? It shouldn't be.
People seem to like this one, Lou. Don't give up on it. It's still a lot more to say, even after today. Welcome to the Raw Impressions Podcast.
Bake sale part four, honey buns. Yeah, I think we'll just do as many as needed. If this is done, then we're done. If not, if people demand more, then we'll do more.
Well, I was recently traveling the United States of America, and I met some people out there. On this episode, Lou and Adele will rate each song on the album. Sounds risky. Yeah, I...
Sounds truthy. Oh, a woman in Cleveland really likes the bake sale series, and she told me twice. Oh, nice. Well, I was traveling the United States of America.
Uh-huh. Commemorating the front cover LP photo. Song. Commencing.
In three toilet flushes. Listen to this one. The toilet part? What's happening?
I know. That's something to play a song. Here we go. Nice.
Got to find a way to loosen up. Cause I'm one patter than a magnet's coil. The longer I try to keep my mouth shut. Listen, a little brain is gone over.
If you turn back, just hit the fuck me up. Do you loosen what you found? About it? That itch until it beats.
I don't really wanna lose you. So I can play your silent deal. When I talk, the silence falls. I never say what's on your mind.
To laugh, to be so defensive. The longer I meet another enemy. Nobody wants, another meter on. I guess that's all you are to.
I don't really wanna lose. Why does it all depend on me? Tell me it's personal between us. We don't say what's on your mind.
What's on your mind? What's on your mind? Magnets coil. Live.
Magnets coil. That was a fun, spirited version. Can you believe that I haven't played that song any time in the last two years that Raw Impressions has been a podcast? That's hard to believe, actually.
That's one of my most, that's my go-to song. I'll often start off solo sets with that one. I think, Sabato, we were doing that first live, too. When we were an active live trio, electric trio.
Jason, no one's needing Bob DeNico and myself. Yeah, I remember that. I mean, remember seeing it many, many times live, it's great live. It's a really fun song live.
I know what it's about. Yeah, okay. I do. Does anybody want to know what it's about?
Okay, tell everybody. Yes, they do. Tell everyone, is this going to be a secret reveal? Actually, no.
I don't know. The song is about Eric Gaffney. Yeah. It was kind of like what was leading into the breakup where he left the band.
He left the band before the bake sale. He's on four songs on the record. He left the band in the summer of 1993. Wow.
What a great song to have written about you, even if it was... It's like... You know, we just weren't talking. We weren't communicating.
That was an infrastrid. And so I wrote that song for him because that's what happens. There's no... When you just do like, I don't know.
Write a song. Yeah, I think there's a lot of relatable lyrics in it so people can attach their own meaning to it. You know, it's not so... Like, it doesn't feel like suffocating or it doesn't feel so tight in the meaning of it.
It's like you can... It's open. It's like it's open to interpretation. It's not to a cue, it's a toy.
Right? I don't think so. No, I think it's great. It's a good song.
Good song from... Bakesail. Apparently an approved capital G-O-O-D-L-P. I like it.
Yeah, I was listening to it again because we promised on... I think it was Bakesail Part 3 that we were going to share our ranking, or each of our rankings of the album from... And I just wanted to have this disclaimer. Okay.
Is that I've been listening to the album again and I actually like every song on it. I do. Now, I feel like it kind of... Things grow on you.
Things that maybe were my least favorite or not my... I'm just saying things can shift. It's interesting. It's shifted since the first time.
Yeah, it actually did a little bit. When you laid on the couch and took it in, that one night. It's true. When I really started to think of the songs individually instead of as a collective, like the album, yeah, I don't know.
So I want to say that I love the whole album. I really do, sincerely. I find it very impressive. Oh my gosh, I'm going to cry.
I feel choked up because I feel so proud of you. I feel so proud. I'm like, oh my gosh, what a thing you did. What was a group effort?
Good job. Right. Well, I'm saying your effort, your contribution, your job. The Sabado Collective, this was our probably most cohesive album.
It's a very cohesive album. It has a really great flow. Like so many people say it's like banger after banger hit after hit. It really is.
So you wanted to rate the... It was sort of your idea. You wanted us to rate the album or like from... Like my list is...
Because I'm curious to know what other people's are. They're top to bottom. And when I say bottom, I don't mean bad. Mine is bottom to top.
Yeah, you did yours. I started from the bottom. And you started from the top. How about before we tell each other first, we'll just show the camera to your list.
Put your list up there so that people can see. Okay. And then so mine is favorite to not my favorite, but not my worst. I'm just saying like...
Should we do it? So you do your favorite and then I tell one of these favorites. What do you think? Why do you want to do it?
It might be interesting if we start with the favorite. You just do your list the way that it's written and I'll do my list the way it's written. Okay. Some of them I want to say were kind of like tied.
It was hard for me to... They like they carried the same sort of weight, you know? Okay. Let's go back and forth.
You start with the number one pointing. You're pointing. Okay. So you want to hear number one, my number one song?
Careful. Careful. Wow. Number one song on bake sale according to Adele.
For me. This is just my opinion. Wow. That's cool.
It's a good one. Yeah. I think that one has every element to just summarize it. Like it's catchy while being emotional.
The lyrics are very good. Jason's voice is very effective. It's like it... His voice is captured really well.
His voice is captured really well. Good on this record. Oh my God. Why don't you just keep going while you go down like...
Careful. Careful. Careful. It's number one for you.
What's number two? Yeah, I couldn't move that one around. I listened to it. I rearranged songs and I ended up still being number one.
Okay. My second one is not a friend. Really? Yeah.
Okay. It inched its way up. It was not that high before. But now it's...
I think this one might be almost one of your perfect kind of songs too. Because it's like... I like the way your voice is recorded as well on this one. Really?
I kind of liked the little bit of a pullback actually when I was listening to it again. Am I working in the emotional way for the song? Yes. Exactly.
It was a song... Correct. Moving apart from someone. Yes.
And it felt right to the song. And the lyrics I think are really good. They're just a really good song. And again, it's something that like...
It's personal, but yeah, people could kind of like probably relate it to their life in some way. And you can really feel you singing it. You can really feel you feeling these words and what they mean to you. It's like it feels true.
Just like Jason's feel true to me on this album. So you know what I'm saying? Okay. So do it through your third.
Okay. My third is skull. Wow. Yeah.
So I got two songs in the top three. You do. Wow. Okay.
Because skull to me is almost like a perfect pop hit in the indie rock genre. All right. I'm going to start from the bottom. Okay.
Do your bottom three. I'm going to do the bottom three. Number 15. And I'd like to preface this by saying this song was really...
There's a lot of love on this record. Like we had a lot of love for our girlfriends at the time. So Jason, for instance, his girlfriend at the time that we recorded the record was Tara Jano Neil, who plays drums on most of his songs on the record. Like got it.
Dremamine. Not too amused. She plays drums on it. She was a member of the band Rodin and she's really talented.
Like really talented artist, musician from Louisville, Kentucky. And Jason was in the midst of like moving to Louisville or being... He was feeling the pull of Louisville. And it was really, really strong at this moment.
He did end up moving to Louisville shortly after we finished this record. But Bob Faye. A drummer. A drummer of the album.
So the second drummer of the album. He came in to fill in full-time for Eric Avny. He was seeing or living with, I believe, Anne Slinn was his girlfriend at the time. And temptation tied.
Number 15 for me is this really sweet duet between the two of them. And it's really like, even though I am rating it, number 15 at the bottom, I'd like to say that there's still so much love on that song. And part of the collective, I like to call it a collective now. I wish I called it a collective back then, just to make things a little clearer for everybody, including my bandmates, is that we all did bring all that we could in a way that we wanted to in the most comfortable way for us.
For instance, Jason recorded the basics for his songs with Tara Jean O'Neill, which was more comfortable for him, which I think resulted in an intimacy of his recordings that is unparalleled. I mean, there's so much intimacy in warmth in his songs on this record. And the songs I ostensibly are delivered are about Tara and this new relationship of his. So temptation tied is where, that's number 15 for me.
14 is Dreams. I have a terrible memory of this song. I finished it and I really liked it. I felt it.
I got really high and I'm listening to the play back. We put melatron on it, which was the same instrument, the same melatron that appears on the song Thumb by Dinosaur Jr., the song Spoiled by Savadot and countless other bands that went in and out of the Fort Apache studio. It's a beautiful instrument. It's a keyboard that triggers...
I think I like that instrument. Everybody loves it. It's also Moody Blues, zombies. It is the classic and the Beatles used it extensively.
It's a beautiful instrument. It's a keyboard that triggers actual tape loops of instruments. So it has this really warm, spooky sound. It's on Dreams.
Yes. When I finished the song, I actually raised my head above my hands above my head and I said, I'm never going to work again because I thought the song was so great that it would then ensure me... It was your hit. In your mind, you're like, this is my hit.
My moment. But I set it out loud. Usually I use my inside my head voice when I say things like that. But I set it out loud.
And when I set it out loud, I had the feeling that I was cursing myself. And I've never shaken that, actually. I thought by uttering that at that moment that it triggered a decline, even though I was at my peak at that moment. And actually, that was just a good year.
Ninety-three, ninety-four really good productive years with full-complosion Savadot. But I thought by uttering that out loud. I remember that as being one of the most embarrassing moments of my life. No one, I don't know if anyone noticed.
I don't know if anyone cared or whether it just registered to somebody like, well, there's another dumb thing that lives in. Boy, what a jerk. I don't know. But I remember, I know where I stood in the studio when I said it.
It was coming out of the big speakers and I said this thing. And then also, I don't think it's my most interesting song. I just don't. I just don't think it's the most interesting melodically.
And I don't think it's the most interesting song. And it's also because it's sort of pretentious. I almost maybe even put this at 15. Now that I'm talking about it.
Maybe temptation tied at 14. 13 is Mystery Man, which is part of the four songs that we recorded with Bob Weston at Steve Elby News House. This is where it kind of gets like, I kind of like everything. I like these songs.
But Mystery Man is going to say, it's like, I'm not fully on board with a song. I like it. I switch out a pen because I have notes. I've made a really good four track version.
I made a really, really good four track cassette version of this song. I have another piece of paper. Because I have notes I want to say when we go back. Okay, fine.
I didn't want to write on my little, you're making me think of things as you're saying, which so 13 is Mystery Man. Just because it feels a little hollow to me. It doesn't really register like the other ones. Although like I said, I did an amazing and incredible four track cassette version of that song.
I'll just say that. It's on the B sides of the record if people want to go look for it. Okay. I'm really enjoying this.
Okay. Okay. So now you start with number four. Okay.
So that was really interesting. So number four for me is Got it. Four. Got it.
Yeah. Yeah. Okay. I mean, do I need to say more?
Obviously. I'm not sure if I'm going to say number one or whatever, but I still, I like it. Obviously a lot. It's number four, but I feel comfortable.
Let me just add real quick. That is my favorite line of maybe ever by anybody. Okay, which is I'm taking your morning morn with me out into the day. I love that.
I know. I don't care if nothing else goes my way. It's like, I know. Wow.
That is a really a sounding tender. And then all day, right? I don't care. It's just, yep.
That sounds so relaxed and. Oh my God. You're going to make me all choked up again. That song, that's a song you could put on repeat and really like enjoy like in a car ride or anyway.
That's number four. Okay. Number five is not too amused. Okay.
Yeah. Because I think again, it's very strong, very strong song. Obviously again, a crowd favorite, crowd favorite for Sabot of fans. I've seen Sabot of play many times and it's often like, you know, people wanting to hear not to me.
So we told people about what they say in Europe. Yeah. Not to amuse it. That's not offensive anyway.
That's not offensive. I know. I was like, is that offensive? I don't know.
It's just true. It's just true. Um, I'm not just English as a second language in Europe. That's like what they're English as a third language.
Third language. I mean, yeah, exactly. They're like whatever we speak 10 million languages. Okay.
Yeah. So not too used. So one, two, three. So number the next one after that's magnets coil.
What number is that for you? Six. Okay. Six is magnets coil.
Okay. So that's my next three got it. Not to amused magnets coil. Okay.
What are your next three? Number 12 after mystery man ascending in order of. So yours is favorite. Okay.
Dirt to diamonds. Not a friend. Wow. I don't like the way the I'd like to point out that when I'm rating these now I'm rating the recordings of the songs, not the songs themselves.
I'm going by the songs. Well, I'm going by the texture of the recordings. I'm going to say that not a friend much like mystery man sounds a little hollow to me. My voice is too distant.
You know, I really it's where I have that regret of like the 90s with so much about burying vocals for indie bands and I get really frustrated. I knew that I knew that I think I know you're coming from. I pulled it back out of self being self conscious and not wanting to really step out there and also recording in Steve Albany studio where Steve Albany was notorious in my mind for absolutely burying vocals. It drives me.
I don't think that song let me just say this. I actually don't think the vocals are actually buried when I think of buried. I have a different idea of what that sounds like. They're quiet.
They're just quieter, but they're not necessarily buried. But I guess I'm going by the song. How would you rank the song? That's one of my favorite songs to play.
I mean, do you feel proud of that song though? Super proud of that song. Yeah. Number 11 is shit soup.
That's soup is a title on the record. It's titled S soup because when we finished the record they're like, can you not call it shit soup because then we can't get it into Target? Yeah. So that way we were kind of being introduced to this almost corporate rocky kind of.
Corporate rock vibes. A little bit of sensorism right like that. And then unfortunately like censoring one of Jason's songs which, you know. Great.
You know. You know. Jason the anti-authoritarian. Yeah, I can't remember.
I just remember I was like, Jason I think we got it. you know, because I'm like, whatever the record company wanted, I was like, yes. You know, they were giving us money. So wait, but then are you ranking that song as a recording?
Recording. Well, we have two different lists. You're just like, OK, it's fine. It's fine.
We can do this as complicated. People appreciate complexity. Shitsup, I think, I think in this case, Jason himself probably has an amazing four-track version of that song of a fully solo version of that song. That's superior.
So that was the band trying to almost redo one of Jason's songs. It was part of our second, the second session we did at Fort Apache Studios in January of 1994 to fill out the record. Shitsup, I think I probably really was convincing Jason or kind of persuade him to re-recording a few of the other demos that he had as a band. So the record would be more, some of his songs would reflect the way the band played, as opposed to just being him and Tara Jane.
OK. So this could have been my little mechanation, my little, you know, my just trying to make it more of a band record. Got it. So that could have been my bad.
But and 10 together alone is another one of these 10. 10. 10. 10.
I see right. Right. 10 is together alone. On my next three coming.
OK. Interesting. You know, not a French Shitsup and together alone. OK.
So confused by your list, because you're going the opposite way. Yeah, and I'm apparently referring to totally different qualities from songs as well. OK. So what about together alone?
I don't know. It just sounds a little hollow. What number is that for you? That's number 10.
OK. In ascending order. Mm-hmm. OK.
Interesting. So do you want to hear my 789? Yeah. OK.
7, I have license to confuse. OK. I mean, that's a fun song. It is.
That's just a great fun song. Originally recorded as a full-complosion song. Interesting. It's actually on the very first full-complosion tape.
Really? Walk through this world with a full-complosion. It's on a band can't be all. It's out there.
I put it a whole restoration. Did not think on it. I can't remember. He might have like, it was kind of a fun recording.
Like, we shake a lot more. I think we're shaking shakers. Yes. That's what I love about it.
I absolutely love the shaker added to license to use. Now, it was really the spirit of the genesis of the full-complosion. It was the sort of improv songs. But then I just like, I had this license to confuse.
That's interesting. That actually makes sense because there's a shaker on it, which seems very anti-sebido. Yeah. Not anti, but not typical.
Check this out. Typical. There's a real crossover between take a look inside the first full-complosion record and this record, too, because they were put together at the same time in the same studio. We actually went in and transferred, take a look inside from the four track tapes at night after the sebido sessions.
Wow. So they came together at once. And then also. You're in the midnight oil.
And then also it was just such a great period. Also, I used John's guitar and amp. This makes sense. You're 28.
Yeah. Like, you know, like, license to confuse. On the record, one of the things that makes it sound so great is the guitar tone is so great. And it's John's guitar through John's amp, the same setup that we used for take a look inside and beyond for the full-complosion.
Because John had this incredible sound with this Mustang guitar and this this Ampegg amp of his. It just had this. And I was like, I want to use that. And he's like, go ahead.
So again, collective, I was going between the two. So yeah, license to confuse is on the very first full conclusion cassette. Mm-hmm. I love that.
Fun fact. Well, and let's just say again, really quick about license to confuse is I was saying, to me, it's not a typical. There's almost like, I don't want to use a word, joy. But do you know what I mean?
I was feeling joy. There is some joy to it. But again, it isn't typical of sebido. I wouldn't necessarily go, say it was a joyful band.
It wasn't that you guys were like morose. But I wouldn't necessarily call you joyful. And there's a lot of joy in especially the old, old, folk and flosions stuff. It's playful.
Yes. OK. Yeah, there's a playful quality to it. So that's interesting.
That makes perfect sense. OK, so number eight for me is s-s-s-s-u-p. OK. So what is your list?
And then well, nine. This one was actually kind of like, they to me were of equal measure shitsu-p and rebound. Like eight and then nine rebound. So yeah.
So license to confuse shitsu-p rebound. OK, what's your next? So you're nine, eight, seven. OK, nine, seven.
Skull. Wow. Oh, OK. Yeah, I don't know.
It didn't sound like a good to me when I listened to it. Just know. You know, I don't know. I think to me, there's such a, like, Jason's song sounds so good to me that I'm just, when I hear my songs, I'm like, egh.
I'm like, I hear this, like, I hear myself, the vocal, further back in the mix. I hear a. I wonder what Jason would say. I don't know.
I think it could just very well be a thing. Like, it's me and I hate it. Right. It's not my best.
I wish it was better. Regrets, you know, just because it's myself. It's hard to be your own critic. Nailed it.
You know, I feel that about a few things. Really? OK. Say one.
I don't know. My ritual with full conclusion, one part lullaby by the full conclusion. Yeah. Slap me by the full conclusion.
Spoil by Sabado. Brand new love, the electric version by Sabado. I think that that's me. I just, that's with Eric Anthony and drums.
Yeah, I have no that one. I'm like, wow, OK, you know, yeah, I have a few. There's a few examples of. OK.
So where am I? What skull give up? Give up is my next one. Eight.
Eight, which is a really fun rock and Eric number. He's just going crazy on drums. I'm so glad that we captured that. That was like that's like prime Sabado, Gaffney Sabado, electric.
And the song is fun. It's like an older song of mine. Yeah. Blurik's a kind of fun.
It's a fun song. It's got a black side of a part in it. I do really enjoy that. And then seven, careful.
Oh, OK. Which is a great song. Oh shit. That was a toilet flushing.
Oh no, we're going to have to stop. No, OK, I got to finish my list. Oh, we're going to. Hey.
Slow down, you two. Something you're still yapping away. So we just got to nine? No pauses.
No compromise. Hey, it's time to stop talking about the bake sale record. There's no reason this needs to be the last one. Seriously, there are no rules.
I guess we could. This is pre-formed podcast land. What? We're not going to finish this.
I'm in the zone. No? Don't worry about it. Bring it back.
It's the only record that anybody cares about. Wow. JK. Thank you for listening to the raw impressions.
Music-related podcast episode about bake sale, the 7-0 record. Since he got out, bad news keep happening. Cape Fear, a new series. He's now streaming on Apple TV.
Why when I want to hurt you? Why? Starring Academy Award winner Javier Bardem. Why?
And Academy Award nominee Indiana's. He's coming after my family. Why? Cape Fear, now streaming on Apple TV.
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Cape Fear, a new series. He's now streaming on Apple TV. Why when I want to hurt you? Why?
Starring Academy Award winner Javier Bardem. Why? And Academy Award nominee Ini Adams. He's coming after my family.
Why? Cape Fear, now streaming on Apple TV. Subscription acquired for Apple TV. You've got social dialed in.
Search is doing its thing. So why do your marketing results look the same as six months ago? That's because you're fishing in the same pond as everyone else. Podcast listeners are at different audience entirely.
More engaged, harder to reach their traditional channels, and ready to act when someone they trust makes a recommendation. We're Acast, and we put them right in front of you. Browse thousands of the world's leading podcasts. Book host reads or run your own ads, and track every conversion in real time.
The same skills you already have, brand new results. Acast.acast.com slash advertised.