Battersea, Ch 2

For the second chapter of BATTERSEA, we move to the novel's second point of view and second main plot arc. Susanna chose two points of view -- her first time doing this in a novel -- without committing to a strict ABABAB structure. -- What are the pros and cons of using two points of view? -- Do they need to be balanced or equivalent to each other? -- What are some ways to jump between POVs without jarring the reader from her vivid and continuous dream? Also, using a second point of view means starting the book for the second time, and the second beginning is held to the same standards as the first. -- Which beginning has more thrust? -- Which one is more engaging, and why? Go to anchor.fm/susanna-daniel4/message to leave a voicemail with your suggestions and questions about craft and creativity, which we'll address in a future episode.