Between Two Histories

Episode #533: “Before COVID-19 and before the Myanmar coup, I thought that ‘memory of war’ meant only World War Two inside Myanmar. But after 2021, I realized for local people the condition is like a war now.”Hitoshi Kameyama, a Japanese photographer, first came to Burma in 2005 on a photography tour. Expecting a repressive environment, he was instead struck by the warmth and friendliness of local people. This impression drew him back repeatedly, and he eventually made more than 25 trips before the pandemic, building close ties by photographing villagers and returning later with prints for them.Myanmar’s political opening after 2011 allowed greater freedom for photographers and journalists. While Japanese companies began investing, Kameyama focused on documenting memories of the Japanese occupation in World War Two. He was inspired by encounters with elderly villagers who recalled both suffering and small gestures of kindness from Japanese soldiers. In one case, a woman whose brother had been killed by soldiers still preserved a grenade and other wartime objects for decades, hoping they might be returned to Japan. Such stories led to his book Burma Myanmar Memories of War 2019–2024.The pandemic and the 2021 coup forced him to expand the project beyond historical memory. Unable to enter Myanmar, he traveled to India and Thailand, where refugees had fled. He visited Mae Sot clinics, schools, and camps, meeting displaced families and injured resistance fighters. His work began to connect past and present, showing how conflict continues to shape lives.Many of his images highlight this continuity: a child playing with a Japanese helmet, a tiny tank carried into Chin State by soldiers, ceremonies where survivors still gather to honor the dead, and a 2012 community meeting once seen as ordinary but later understood as a fleeting sign of democracy.Kameyama is critical of Japanese businesses that continue to operate in Myanmar, arguing that profits inevitably aid the junta. Reflecting on two decades of engagement, he stresses that personal bonds matter more than politics. As he put it, “It’s important to me, this personal relationship with the Myanmar people.”