Beverly Hills Cop • The Next Reel

"You’re not gonna fall for the banana in the tail pipe?" Eddie Murphy proved his big screen comedy prowess with Dan Aykroyd in Trading Places but the studio was still concerned about him helming a movie by himself. Luckily, Don Simpson and Jerry Bruckheimer believed in him and ended up convincing Paramount that he could do it, bringing him on board Beverly Hills Cop after Sylvester Stallone stepped out. And the rest is cinematic history – the movie broke records left and right and firmly established Murphy as a full-fledged movie star. Join us – Pete Wright and Andy Nelson – as we continue our Eddie Murphy series with Martin Brest’s 1984 film Beverly Hills Cop. We talk about what holds up in this 80s cop comedy and what doesn’t hold up as well – and where we disagree on these. We look at how the film came together, from the early ideas and the various writers to the period when Stallone was the lead to bringing Murphy on and how the script was finally shaped. We discuss Murphy and how he fits in the film here, and how the rest of the cast works to fill the rest of the world. We chat about Brest and his directing style, and discuss his career and his disappearance from the industry. We talk about the iconic theme by Harold Faltermeier and how it fits into the film, paired with the iconic soundtrack that represents everything Bruckheimer was doing with his movies at the time. And we look at how this film did at the box office, becoming the top film in 1984 and setting the stage for cop comedies thereafter.  It’s a fun film, even if it has some issues, but definitely represents what Murphy was doing in the 80s. We have a great conversation about it so check out the movie and tune in! Film Sundries Watch this film: iTunes • Amazon • Netflix Original theatrical trailer Original poster artwork Flickchart Letterboxd Clips from Martin Brest’s Short Hot Dogs for Gauguin What Happened to Martin Brest? Trailers of the Week Andy's Trailer: Spider-Man: Homecoming — "I’ve always been a big Spider-Man fan and have enjoyed the movies for the most part. What gets me excited about this one isn’t the new Peter Parker, even though he looks great. It’s not that Sony and Disney/Marvel are playing nice and sharing characters to make these movies, which is a great thing. It’s that Michael Keaton is playing the villain. And that kicks ass. Okay, so I’m a little worried that they’re going the robo-look with The Vulture like they did with Green Goblin, but I’m willing to let that slide right now because this looks so fun!" Pete's Trailer: A United Kingdom — "International listeners have had this movie on deck since September, but Amma Asante’s latest hits US screens in February. Looks like another opportunity to see Rosamund Pike and David Oyelowo knock it out of the park telling the story of a mixed race couple struggling to lead an African nation at a time of political turmoil. Amma Asante is such a charmer and precise director — can’t wait to see what she does with this story." The Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and Movements | The Film Board | Movies We Like | The Next Reel | Sitting in the DarkConnect With Us:Web | Letterboxd | Flickchart | Instagram | Bluesky | YouTube | DiscordYour Hosts: Andy | PeteMerch Store | Audible