BIPOC Press for the People: Bursting the Corporate Media Bubble

If you believe in big-picture media like ours, help us stay on-air through the year. People rely on our reporting and we are committed to keep going. Are you committed too? Make a contribution at our website today and do your part to give voters the news they need.  We’re in the midst of our May Day to Memorial Day membership drive.  We're asking you to join us in raising $25,000. Thanks for listening and thanks for your continued support. It is a cliché to say that the richest corporate media operate inside a bubble of their own making, but it's largely true. Today’s guests are breathing new life into the world of journalism by covering people, places and perspectives beyond the conventional enclaves of power. On this month’s Meet the BIPOC Press, Laura Flanders is joined by Chenjerai Kumanyika, a professor at NYU and prolific audio journalist, host of podcasts including “Empire City” and “Uncivil”. Neesha Powell-Ingabire is Director of Popular Education at Press On, a Southern media collective dedicated to movement journalism, and the author of a new memoir, “Come By Here”. And Mary Annaïse Heglar is an essayist covering climate, podcaster, and author of the novel “Troubled Waters” and a book for children, “The World Is Ours To Cherish”. Together they discuss the campus encampments in solidarity with Palestine, intergenerational work to stop the climate crisis, the question of objectivity and context, and how movement journalism is — or isn’t — traditional journalism. How do we break media bubbles? Join us for that conversation.“Movement journalism is journalism that is in service of liberation . . . We are very intentional about historically oppressed communities. Folks from those communities should be doing reporting on those communities and building relationships with community members and organizers on the ground.” - Neesha Powell-Ingabire“. . . Look at the history of the Black press. We didn't have the luxury to report and somehow separate that from advocacy. When you have people reporting while slavery is still legal, all kinds of Black people are being targeted in various kinds of violence. We have a long tradition of advocacy journalism.” - Chenjerai Kumanyika“Nothing has made me feel less optimistic about climate change and our ability to stop it, to mitigate it, to deal with it than the genocide and Gaza. If we cannot come together to say that is wrong and that should stop, then I have so little faith in our ability to stop ecocide.” - Mary Annaïse HeglarGuests:•. Mary Annaïse Heglar: Author, Troubled Waters; Podcaster, Spill•. Chenjerai Kumanyika: Audio Journalist, Empire City, Uncivil & Seeing White; Assistant Professor Journalism, NYU•. Neesha Powell-Ingabire: Author, COME BY HERE: A Memoir in Essays from Georgia’s Geechee Coast; Director Popular Education, Press On Full Episode Notes are located HERE.  They include related episodes, articles, and more.Music In the Middle:  Be The Change by Nation Beat from their latest album Archaic Humans released on Rope a Dope Records..  "Steppin" and "The Gall" by Podington Bear. Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O’Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel