Birds of Prey, or I, Harley Quinn (feat. Fabiola Liaño)

We're cracking open our brief excursion into 2020 with one of the last movies to get a theatrical run before COVID shut everything down. Women finally got their own Deadpool starring and produced by mega-star of the moment Margot Robbie. Against her better critical judgement, Nicole enjoyed this one for the incredibly flawed and messy thing that it is because women can have a junk food treat sometimes. Cole and Stu basically hated it. To help us break down whether or not women have the right to be annoying, we're joined by returning guest and fellow Robbie Quinn enjoyer Fabiola Liaño (@fabiola_liano) of It's Giving Camp to discuss the pop cultural figure of Harley Quinn, Grace Randolph spreading misinformation, the inherent appeal of unruly women to female audiences, and how this movie botches adapting the Birds of Prey comic series and its associated characters into a terminally pop feminist narrative about emancipation and wearing cute outfits or something. Somehow we managed to discuss this movie for slightly longer than Furiosa, and all without yelling at each other because we're friends first and foremost. Listen and follow It’s Giving Camp (Twitter, Spotify, Patreon) Thank you to our $10 Executive Producers: Walt Lewellyn of The Black Casebook, Owen2, bernventers, Lohik, jprestonpoole, and PineappleRevy. Link to donate to bail funds student encampments in solidarity with the people of Gaza. If you can, also consider supporting these organizations in Palestine: ANERA (American Near-East Refugee Aid)  PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.  This podcast includes copyrighted material, the use of which has not always been specifically authorized by the copyright owner. Such material is included for commentary, criticism, and educational purposes in compliance with Title 17 U.S.C. Section 107. All rights reserved to the copyright owners.