Bizarre Crimes, New MIFF Films & Causing a Scene episode artwork

EPISODE · Aug 8, 2024 · 1H 21M

Bizarre Crimes, New MIFF Films & Causing a Scene

from Breakfasters · host RRR - Triple R

Retired Olympian Debbie Flintoff-King reflects on the Olympics; Dr Jen explains what it means to be in a “flow state”; Nat shares the story of how she got her ears pierced; film reviewer Simone Ubaldi reviews Irish film Kneecap; Peter Coleman talks about his new book Australia’s Most Bizarre Crimes; the team discuss situations where one would make a scene; and director Adam Elliot chats about his latest stop-motion animation film Memoir of a Snail which is premiering at the Opening Night Gala of the Melbourne International Film Festival. With presenters Monique Sebire, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters.

Retired Olympian Debbie Flintoff-King reflects on the Olympics; Dr Jen explains what it means to be in a “flow state”; Nat shares the story of how she got her ears pierced; film reviewer Simone Ubaldi reviews Irish film Kneecap; Peter Coleman talks about his new book Australia’s Most Bizarre Crimes; the team discuss situations where one would make a scene; and director Adam Elliot chats about his latest stop-motion animation film Memoir of a Snail which is premiering at the Opening Night Gala of the Melbourne International Film Festival. With presenters Monique Sebire, Daniel Burt & Nat Harris. Website: https://www.rrr.org.au/explore/programs/breakfasters/ Facebook: https://www.facebook.com/Breakfasters3RRRFM/ Twitter: https://twitter.com/breakfasters.

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Bizarre Crimes, New MIFF Films & Causing a Scene

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This episode is 1 hour and 21 minutes long.

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This episode was published on August 8, 2024.

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Retired Olympian Debbie Flintoff-King reflects on the Olympics; Dr Jen explains what it means to be in a “flow state”; Nat shares the story of how she got her ears pierced; film reviewer Simone Ubaldi reviews Irish film Kneecap; Peter Coleman talks...

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