Blackout Tuesday x Platformization

At Material Girls, we’ve been thinking a lot about the idea of using social media for social change and what those calls imply about the role of social media in our collective imaginations. And so, in the spirit of always historicizing, we recorded this episode to look back on the Black Lives Matter protests of 2020 and, specifically, to an online event known as Blackout Tuesday. If you were one of the people who posted a black square on your Instagram account — or someone who thought about it but didn't — this episode is for you! Hannah offers some really helpful insight pulling on Jia Tolentino's essay, "The I in Internet," the work of sociologist Irving Goffman, Montreal-based scholar Kelsey Blair and Canadian author and activist Naomi Klein. Together, Hannah and Marcelle dig into what it means that our social media tools, regardless of how they are used, are corporately-owned. To learn more about Hannah's research for this episode and to read Witch, Please Productions' statement on Israel and Palestine, head to https://ohwitchplease.substack.com/. And, if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.