EPISODE · Jan 8, 2026 · 1H
Building Netflix Thrillers While Retaining IP With Filmmaker Anna Elizabeth James
from Show Don't Tell: Micro-Budget Filmmaking · host Noam Kroll
In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. Topics covered include:How Deadly Illusions and Held Hostage in My House reached NetflixLicensing vs selling films, and why IP ownership matters more than everWhat filmmakers should know about distributors, streamers, and rights reversionNavigating the post-streaming-boom slowdown and emerging opportunitiesWhy film festivals aren’t the only viable path anymoreThinking entrepreneurially without sacrificing creative integrityThe future of branded storytelling and creator-led business modelsLinks from the show:Anna Elizabeth James – IMDbSign up for my newsletter for exclusive filmmaking insight each Sunday
What this episode covers
In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. Topics covered include:How Deadly Illusions and Held Hostage in My House reached NetflixLicensing vs selling films, and why IP ownership matters more than everWhat filmmakers should know about distributors, streamers, and rights reversionNavigating the post-streaming-boom slowdown and emerging opportunitiesWhy film festivals aren’t the only viable path anymoreThinking entrepreneurially without sacrificing creative integrityThe future of branded storytelling and creator-led business modelsLinks from the show:Anna Elizabeth James – IMDbSign up for my newsletter for exclusive filmmaking insight each Sunday
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Building Netflix Thrillers While Retaining IP With Filmmaker Anna Elizabeth James
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