Burning Bridges, Building Constellations

How can we create a discursive way of thinking to achieve disruptive practices and creations in the face of the dominant Western aesthetic, to finally achieve a Plural World Cinema in the image of our Humanity? Indeed, by placing the question of Aesthetics at the centre, we raise the question of Imaginaries: is there one and the same type of Imaginary, one canvas of symbolism, language and values?