Camille A. Brown episode artwork

EPISODE · Dec 16, 2007 · 27 MIN

Camille A. Brown

from Body and Soul · host Eva Yaa Asantewaa

In September, I visited with Camille A. Brown, who had recently made a huge impression as the choreographer and performer of her solo, The Evolution of A Secured Feminine, on a program of choreography by Black women called This Woman's Work. We talked about the steady evolution of her remarkable career. She has won rave reviews for her appearances with Ronald K. Brown/Evidence, and now she has premiered a delightful and well-received ensemble piece with the Alvin Ailey American Dance Theater, one of the world's most celebrated dance troupes, during its 2007 season at City Center. Camille is a young artistic star on the rise. For information on the Ailey season at City Center, visit www.alvinailey.org. Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

Episode metadata supplied by the publisher feed · Published Dec 16, 2007

In September, I visited with Camille A. Brown, who had recently made a huge impression as the choreographer and performer of her solo, The Evolution of A Secured Feminine, on a program of choreography by Black women called This Woman's Work. We talked about the steady evolution of her remarkable career. She has won rave reviews for her appearances with Ronald K. Brown/Evidence, and now she has premiered a delightful and well-received ensemble piece with the Alvin Ailey American Dance Theater, one of the world's most celebrated dance troupes, during its 2007 season at City Center. Camille is a young artistic star on the rise. For information on the Ailey season at City Center, visit www.alvinailey.org. Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

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In September, I visited with Camille A. Brown, who had recently made a huge impression as the choreographer and performer of her solo, The Evolution of A Secured Feminine, on a program of choreography by Black women called This Woman's Work. We...

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