Campaigns Past: Cowboy Hats and Hard Cider episode artwork

EPISODE · Oct 22, 2024 · 24 MIN

Campaigns Past: Cowboy Hats and Hard Cider

from PORTRAITS · host National Portrait Gallery

With Election Day just around the corner, we go back in time to figure out how early presidential candidates got their message, and their image, in front of voters. It wasn't easy. Asking directly for people's vote was seen as undignified, so candidates mostly stayed home in the early 1800s. As a result, most Americans didn't know for sure what their candidates looked like, or sounded like.Kim speaks with curator Claire Jerry,  from the Smithsonian's National Museum of American History, about the stream of new technologies-- from printing to photography to radio-- that transformed political advertising and gave candidates a more direct line of communication with the American people.See the portraits and campaign materials we discussed:William Henry Harrison campaign buttonAbraham Lincoln, by Mathew BradyAbraham Lincoln campaign buttonFranklin D. Roosevelt at microphoneRonald Reagan poster

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Campaigns Past: Cowboy Hats and Hard Cider

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Espions, une histoire vraie France Inter Portraits d’espions et d’espionnes, français, américain, anglais, russe, israélien et irakien. De la Seconde Guerre mondiale à aujourd’hui, en passant par la Guerre froide, la Chine de Mao et le combat contre l’État islamique.Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France. Inheritance, The by Susan Edmonstoune Ferrier (1782 - 1854) LibriVox "As the noblest attribute of man, family pride had been cherished time immemorial by the noble race of Rossville. Deep and incurable, therefore, was the wound inflicted on all its members by the marriage of the honorable Thomas St. Clair, the youngest son of the Earl of Rossville, with the humble Miss Sarah Black, a beautiful girl of obscure origin and no fortune." And so the stage is set for our plot, which focuses on the implications and complications of the return from France to Scotland of the Rossville widow and her daughter-heiress Gertrude, who must suffer the onslaught of relations and suitors as well as a mysterious, threatening stranger who plagues her mother. And while we suffer with Gertrude, who also may be in love with the wrong man, we enjoy a myriad of wonderful satiric portraits of the menagerie of minor characters in this lively story. (Summary by Jim Locke) Phonomaton Anaël Pigeat Phonomaton réunit des portraits d’artistes, de galeristes, de collectionneurs, de commissaires, mais aussi des portraits d’œuvres et d’expositions.Mes phonomatons sont le fruit de mes curiosités pour l’art contemporain mais aussi pour l’art ancien, parfois aussi pour d’autres territoires de la création.Ces interrogations et ces tentatives de réponses ont en commun la volonté d’élucider les gestes créateurs, en commençant par écouter pour regarder…Un podcast produit et animé par Anaël Pigeat   Un grand merci à Sylvie Astié pour l'identité visuelle, Les Films du Losange et les Blossom Toes pour le générique de "La Collectionneuse" (1967) d'Eric Rohmer, Magdalena Recordon pour ma photographie!   Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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