Canalscapes of Childhood

Send us Fan MailA listener has asked, "After we left the boat and went to live in a house, did canals continue to play much of a part in my life?"After the boat, we moved to Kings Langley, Hertfordshire. It was there I grew up and found my place within the world. At the time it was still a fairly small village. The main industry was the Ovaltine factory that bordered the Grand Union Canal which bisected the village. Working boats were still a relatively common sight. As well as through traffic from London to Birmingham and other cities to the north, they serviced the local industries; Ovaltine, Toovey's Mill, the John Dickinson mills at Nash Mills and Apsley, and Rose’s Lime Juice at Boxmoor Warf, Hemel Hempstead. As time went on, the number of working decreased, but the canal remained as a key part of the village and social topography and geography. “The canal wasn’t part of my life in a deliberate way. But that was because it was unconsciously so much part of our environment; the geographies of growing up. The playground and classroom that we all just took for granted.”Journal entry:“25th March, Thursday.Tonight, the air is warm and still. The cabin doors are open.  The sounds and scents of a spring-time night         fill the boat.It is difficult to tell where the boat ends and the night begins” Episode DetailsIn this episode I read a few lines from John Clare’s (1820) The Shepherd’s Calendar. The text to ‘March’ can be read here - Poem Hunter: The Shepherd’s Calendar - March. I also refer to Ruth Binney’s (2010) Wise Words and Country Ways: Weather Lore published by David & Charles.If you are interested in seeing Captain Mark Dexter’s picture of the Suez Canal, his Instagram account is: The Woodend Wanderer.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at [email protected]   Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFacebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw  I would love to hear from you. You can email me at [email protected] or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.