Carl Koppleman episode artwork

EPISODE · Aug 7, 2025 · 29 MIN

Carl Koppleman

from The Opperman Report' · host The Opperman Report

Carl Koppelman draws dead people.Specifically, Koppleman, a 53-year-old who lives near LA, makes reconstructions based on post-mortem photos of unidentified bodies, in the hopes that a drawing of a person’s face that’s closer to how they appeared in life will assist in identifying them, sometimes decades after their death.“Everybody likes a good mystery,” Koppelman says. “I’ve been kind of always been intrigued by mysteries. Unsolved mysteries and crime stories and that sort of thing.”He has plenty of material to work with. There are nearly 11,000 unidentified bodies listed in the National Missing and Unidentified Persons database (known as “NamUs”), which represents just a quarter of the estimated 40,000 unidentified bodies believed to be on record at medical examiner and coroners’ offices across the country. For many of these bodies, only a few biographical details are available for identification; some were found years after death, which can make determining an age, year of death, or even gender impossible, let alone provide an image for the person’s relatives or loved ones to identify—if the person has relatives or loved ones looking for them in the first place.The “lucky” bodies are found close enough to time of death and in good enough condition that a reconstruction of their face can be created and released to the public. The problem is, sometimes those reconstructions just aren’t very good. Resources are scant and some of these cases are decades old, with only the crudest of sketches, drawn by a clearly untrained hand, to go by. Sometimes, if enough time has gone by without an identification and the post-mortem photo isn’t too graphic, law enforcement will release those photos as well.Koppelman came across one of those photos in 2009. It was a man who was found in an abandoned Philadelphia hotel in 2006, having bled to death from a cut on his foot.“I looked at the post-mortem photo and I looked at the sketch and I said, ‘Hey, this doesn’t even look like the same person to me,'” Koppelman says.Koppelman is an accountant by trade but had recently been laid off and was taking care of his ill mother in 2009. He’d become interested in amateur crime-solving websites around this time (he’s a moderator at WebSleuths, one of the largest of such communities), specifically the forums that try to match unidentified bodies to missing persons, not without some success. It’s easier than ever to do this with the internet, and publicly accessible databases that list both missing persons and unidentified people, like NamUs, have helped them give names to bodies found decades ago.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Episode metadata supplied by the publisher feed · Published Aug 7, 2025

Carl Koppelman draws dead people.Specifically, Koppleman, a 53-year-old who lives near LA, makes reconstructions based on post-mortem photos of unidentified bodies, in the hopes that a drawing of a person’s face that’s closer to how they appeared in life will assist in identifying them, sometimes decades after their death.“Everybody likes a good mystery,” Koppelman says. “I’ve been kind of always been intrigued by mysteries. Unsolved mysteries and crime stories and that sort of thing.”He has plenty of material to work with. There are nearly 11,000 unidentified bodies listed in the National Missing and Unidentified Persons database (known as “NamUs”), which represents just a quarter of the estimated 40,000 unidentified bodies believed to be on record at medical examiner and coroners’ offices across the country. For many of these bodies, only a few biographical details are available for identification; some were found years after death, which can make determining an age, year of death, or even gender impossible, let alone provide an image for the person’s relatives or loved ones to identify—if the person has relatives or loved ones looking for them in the first place.The “lucky” bodies are found close enough to time of death and in good enough condition that a reconstruction of their face can be created and released to the public. The problem is, sometimes those reconstructions just aren’t very good. Resources are scant and some of these cases are decades old, with only the crudest of sketches, drawn by a clearly untrained hand, to go by. Sometimes, if enough time has gone by without an identification and the post-mortem photo isn’t too graphic, law enforcement will release those photos as well.Koppelman came across one of those photos in 2009. It was a man who was found in an abandoned Philadelphia hotel in 2006, having bled to death from a cut on his foot.“I looked at the post-mortem photo and I looked at the sketch and I said, ‘Hey, this doesn’t even look like the same person to me,'” Koppelman says.Koppelman is an accountant by trade but had recently been laid off and was taking care of his ill mother in 2009. He’d become interested in amateur crime-solving websites around this time (he’s a moderator at WebSleuths, one of the largest of such communities), specifically the forums that try to match unidentified bodies to missing persons, not without some success. It’s easier than ever to do this with the internet, and publicly accessible databases that list both missing persons and unidentified people, like NamUs, have helped them give names to bodies found decades ago.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

PodParley-generated summary based on available episode metadata and transcript content.

NOW PLAYING

Carl Koppleman

0:00 29:19

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

Big Old Life: Heather Blackbird interviews people on planet earth. Heather Blackbird loves asking questions. This podcast is a learning experience. Join me, Heather Blackbird, as I talk to people about their lives. Frequency of new episodes is a little all over the place and I'm learning as I go. Big Old Life is a small way of talking about the vastness of life, one person at a time. If you are reading this or found this podcast it's probably because someone you know gave you a link to it. :) Explicit Tales Of A Superstar DJ The Insomniac Spun seemingly out of nowhere from her complacent life in the corporate world, turned seemingly overnight from 16-Hour shift work and into the life of a literally starving artist and working musician, The Protagonist navigates her supposed rise to fame and superstardom on a journey through spiritual awakening, coming-of-age, and intimate self-realization--guided by an omnipresent force and equipped with the power of love, magic, and music. {Enter The Multiverse.} [The Festival Project] The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science. The Festival Project™ and its subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosop Explicit Bitcoin Is Dead Trey Carson Welcome to Bitcoin is Dead, the ultimate Bitcoin variety show where host Trey takes you on a journey through the ever-evolving world of Bitcoin. Each episode brings new personalities, fascinating locations, and insightful conversations with politicians, educators, and innovators shaping the future of Bitcoin. Whether you're a seasoned Bitcoiner or just starting your journey, tune in for thought-provoking discussions, unique perspectives, and a deep dive into the ideas and people driving the Bitcoin revolution. Explicit The Sacred +Profane Podcast nephtaragrace The Sacred + Profane Podcast is a provocative conversation dedicated to cementing a better future for all. We specialize in unpacking the nuances of what is considered sacred and profane, particularly focusing on sex, death, and all that pertains to the circle of life. Our aim in focusing on such ”taboo” subject matter is to demystify what is unconscious, bring to light what has been known for centuries as ”the occult,” and empower the rapid transformation that is occurring on the Planet. Explicit

Frequently Asked Questions

How long is this episode of The Opperman Report'?

This episode is 29 minutes long.

When was this The Opperman Report' episode published?

This episode was published on August 7, 2025.

What is this episode about?

Carl Koppelman draws dead people.Specifically, Koppleman, a 53-year-old who lives near LA, makes reconstructions based on post-mortem photos of unidentified bodies, in the hopes that a drawing of a person’s face that’s closer to how they appeared in...

Is there a transcript available for this episode?

Yes, a full transcript is available for this episode. You can read the complete transcript on the episode page.

Can I download this The Opperman Report' episode?

Yes, you can download this episode by clicking the download button on the episode player, or subscribe to the podcast in your preferred podcast app for automatic downloads.
URL copied to clipboard!