EPISODE · May 29, 2025 · 45 MIN
Chris Pavone
from Writers at Work · host Bliss Publications
Joining me on this episode of Writers at Work is Chris Pavone, author of THE DOORMAN. Described by the New York Times as a state of the city novel, a kaleidoscopic portrait of New York at a singularly strange moment, THE DOORMAN has drawn comparison to Tom Wolfe's THE BONFIRE OF THE VANITIES. Rightfully so, I'll add, as Chris displays a keen gift for ascetic satire but serves it without drawing attention to a flashy style. THE DOORMAN is Chris's sixth novel. Its predecessors include THE EXPATS, which won both the Edgar and Anthony Award, and the bestselling TWO NIGHTS IN LONDON. He's a veteran of the publishing and magazine industries, having worked as a copy editor, executive editor, deputy publisher and ghostwriter. As a journalist, his articles appeared in The Times and Salon, among other publications. Set in New York City, THE DOORMAN finds Chris on familiar terrain and new terrain. Familiar because he was raised here, new because he's known for his international thrillers with characters careening around Europe. As a longtime New Yorker, I found THE DOORMAN vivid and real, even when Chris placed me in situations I've yet to face, and entirely plausible. I'm happy to meet Chris and talk about his work and how he goes about it.
What this episode covers
Joining me on this episode of Writers at Work is Chris Pavone, author of THE DOORMAN. Described by the New York Times as a state of the city novel, a kaleidoscopic portrait of New York at a singularly strange moment, THE DOORMAN has drawn comparison to Tom Wolfe's THE BONFIRE OF THE VANITIES. Rightfully so, I'll add, as Chris displays a keen gift for ascetic satire but serves it without drawing attention to a flashy style. THE DOORMAN is Chris's sixth novel. Its predecessors include THE EXPATS, which won both the Edgar and Anthony Award, and the bestselling TWO NIGHTS IN LONDON. He's a veteran of the publishing and magazine industries, having worked as a copy editor, executive editor, deputy publisher and ghostwriter. As a journalist, his articles appeared in The Times and Salon, among other publications. Set in New York City, THE DOORMAN finds Chris on familiar terrain and new terrain. Familiar because he was raised here, new because he's known for his international thrillers with characters careening around Europe. As a longtime New Yorker, I found THE DOORMAN vivid and real, even when Chris placed me in situations I've yet to face, and entirely plausible. I'm happy to meet Chris and talk about his work and how he goes about it.
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Chris Pavone
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