Christy Chan in conversation with Hugh Leeman

Christy Chan makes art that doesn't protect you. Her short film Somewhere to Be — set in the 1980s American South and told through the eyes of an eight-year-old daughter of immigrants — uses dark comedy and a child's gaze to ask what racism actually does to our humanity, not just our politics. Screening in 18 cities in 2026, the film has drawn audiences to its post-screening Q&As long past closing time, with viewers describing the visceral feeling of being the kid in the back seat of the car: powerless and powerful at once.In this conversation with Hugh Leeman, Christy traces the through-line connecting her film to her community-centered public art practice. She discusses Inside Out, the Richmond, California participatory installation where city officials banned community phrases critical of President Trump — a moment she describes as a signal of what was to come. She talks about founding Dear America in response to the 2021 anti-Asian hate epidemic, going from idea to launch in three weeks by bypassing the grant cycle entirely. And she reflects on Fainting Couch, her re-upholstered 1890s artifact that invites everyone to rest on what was once a symbol of exclusionary class privilege, and asks its central question: who gets to be fragile in America, and who has to be strong?