Coke episode artwork

EPISODE · May 13, 2026 · 9 MIN

Coke

from Poker Flat Recordings · host Poker Flat Recordings

Tokyo‘s rising star Ryo Murakami has already put his diverse, electronic sound on the map with the ‚Rise‘ EP on Dessous last year, and received great praise for his track ‚My Soul‘, snapped up by Steve Bug for the Fabric mix series, which was piled high with atmosphere and dark, club energy. His next 12“ includes two new tracks, the title cut being ‚Down The Sky‘, cooly influenced by old school house, but also more recent European forays into night music. Ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. The merits of carefully weighing out your ingredients, leaving just the right level of detail; not too little, not too much, have clearly been explored by Ryo here. More to the point though, it’s a track that could string out time and create so much room to groove! Poker Flat‘s young Greek maestro, Argy, creates a stunning hi-tech remix of ‚Down The Sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. Once again carrying on the vibe of the original, but twisting it into an altogether different beast, Argy takes Ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool. Deceivingly constant, it simply builds and builds, making a time stopping, truly hypnotic moment for the dancefloor and for the mind. The B side, ‚Coke‘ (no questions asked) welcomes another one of Ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. Brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. Ryo then leads us head-first into a series of spaced out, jacked-up movements, characterised by risqué, feminine vocal snippets. Wild Pitch rejuvenated!

Episode metadata supplied by the publisher feed · Published May 13, 2026

Tokyo‘s rising star Ryo Murakami has already put his diverse, electronic sound on the map with the ‚Rise‘ EP on Dessous last year, and received great praise for his track ‚My Soul‘, snapped up by Steve Bug for the Fabric mix series, which was piled high with atmosphere and dark, club energy. His next 12“ includes two new tracks, the title cut being ‚Down The Sky‘, cooly influenced by old school house, but also more recent European forays into night music. Ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. The merits of carefully weighing out your ingredients, leaving just the right level of detail; not too little, not too much, have clearly been explored by Ryo here. More to the point though, it’s a track that could string out time and create so much room to groove! Poker Flat‘s young Greek maestro, Argy, creates a stunning hi-tech remix of ‚Down The Sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. Once again carrying on the vibe of the original, but twisting it into an altogether different beast, Argy takes Ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool. Deceivingly constant, it simply builds and builds, making a time stopping, truly hypnotic moment for the dancefloor and for the mind. The B side, ‚Coke‘ (no questions asked) welcomes another one of Ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. Brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. Ryo then leads us head-first into a series of spaced out, jacked-up movements, characterised by risqué, feminine vocal snippets. Wild Pitch rejuvenated!

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Song Against Songs, The by G. K. Chesterton (1874 - 1936) LibriVox LibriVox volunteers bring you 9 recordings of The Song Against Songs by G. K. Chesterton. This was the Fortnightly Poetry project for October 16, 2011.Chesterton was a large man, standing 6 feet 4 inches (1.93 m) and weighing around 21 stone (130 kg; 290 lb). His girth gave rise to a famous anecdote. During World War I a lady in London asked why he was not 'out at the Front'; he replied, 'If you go round to the side, you will see that I am.' On another occasion he remarked to his friend George Bernard Shaw: "To look at you, anyone would think a famine had struck England". Shaw retorted, "To look at you, anyone would think you have caused it". P. G. Wodehouse once described a very loud crash as "a sound like Chesterton falling onto a sheet of tin."( Summary from Wikipedia ) Summer 2011 | Public lectures and events | Video London School of Economics and Political Science Video files from LSE's summer 2011 programme of public lectures and events, for more recordings and pdf documents see the corresponding audio collection. Moorish Orthodox Radio Crusade P.L. Wilson, B. Weinberg, A-M. Hendrickson, & S. Gregory, These supposedly 'lost' recordings provide a passaged to an undiscovered continent of spiritual radicalism that flourished in the 1980s and 1990s. The Teacher and the Preacher Dave McGarrah & Harold Berman The Teacher and the Preacher is a radio program hosted by Dave McGarrah, Senior Pastor at Deer Flat Church in Caldwell, Idaho, and Harold Berman of Efrat, Israel. As a devout Christian pastor in Idaho and a faithful Orthodox Jew in Israel, bound together by a love of God’s word, the two hosts discuss a plethora of topics: the full range of the Bible, critical issues in our society, Israel, ideas for living a better life, and the questions their listeners bring to them. If it’s about God and His world, it’s a topic for The Teacher and the Preacher.

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This episode was published on May 13, 2026.

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Tokyo‘s rising star Ryo Murakami has already put his diverse, electronic sound on the map with the ‚Rise‘ EP on Dessous last year, and received great praise for his track ‚My Soul‘, snapped up by Steve Bug for the Fabric mix series, which was piled...

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