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EPISODE · Jan 18, 2025 · 1H 5M

Contact

from Unclear and Present Danger · host Jamelle Bouie

On this week’s episode of Unclear and Present Danger, Jamelle and John watched Contact, the 1997 science-fiction drama directed by Robert Zemeckis. Based on the book by Carl Sagan, Contact stars Jodie Foster as Dr. Ellie Arroway, a SETI scientist who discovers extraterrestrial life and is eventually chosen to make first contact with the alien life. Foster is joined by a stacked cast of character actors, including Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, John Hunt, Rob Lowe and Angela Bassett. In their conversation, Jamelle and John discuss the distinctly neoliberal politics of the film as well as the extent to which Contact is a prominent example of the “end of history” utopianism that marked political and cultural life as the 1990s came to a close. You can find Contact to rent or purchase on Amazon or Apple TV. For the next episode of the podcast, Jamelle and John will watch Air Force One, directed by Wolfgang Petersen and starring Harrison Ford as the president who punches. And don’t forget the Patreon, where they watch the political and military thrillers of the Cold War and talk about the politics of those decades! On the most recent episode of the Patreon, Jamelle and John watched the 1970 political drama WUSA. You can listen to that and more at patreon.com/unclearpod. Our producer is Connor Lynch and our artwork is by Rachel Eck.

Episode metadata supplied by the publisher feed · Published Jan 18, 2025

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On this week’s episode of Unclear and Present Danger, Jamelle and John watched Contact, the 1997 science-fiction drama directed by Robert Zemeckis. Based on the book by Carl Sagan, Contact stars Jodie Foster as Dr. Ellie Arroway, a SETI scientist who discovers extraterrestrial life and is eventually chosen to make first contact with the alien life. Foster is joined by a stacked cast of character actors, including Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, John Hunt, Rob Lowe and Angela Bassett. In their conversation, Jamelle and John discuss the distinctly neoliberal politics of the film as well as the extent to which Contact is a prominent example of the “end of history” utopianism that marked political and cultural life as the 1990s came to a close.

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