Crane Lake Soundwalk episode artwork

EPISODE · Jun 6, 2025 · 34 MIN

Crane Lake Soundwalk

from Soundwalk · host Chad Crouch

I’ve been doing soundwalks for three years now, but it feels like longer. Crane Lake Soundwalk is officially #64.I remember the day my dad told me he listened to The Beatles’ “When I’m Sixty-Four” on the morning of his 64th birthday. He expressed a certain disbelief that he caught up to the song he first encountered as a twenty-year-old. He didn’t feel sixty-four, he said. I even remember the day he repurchased the Sgt. Pepper’s Lonely Hearts Club Band album as a CD in his forties. He picked me up at Dudley’s Records in downtown Portland, Oregon, and on a whim did some used CD shopping. In addition to the aforementioned Beatles, he picked up Cat Stevens’ Tea for the Tillerman and James Taylor’s Greatest Hits Vol. 1. Quite the haul, and ultimately not lost on me, even though I was in the thrall of Post New Wave. I spent my money on New Order and The Smiths. Anyway, I suppose that’s just to say, time has a way of sneaking up on all of us. And it leads me to ask, as one does occasionally, how did I get here? Luckily I’d been doing some thinking on it recently and I have a few responses in mind. Here is why I’m still making soundwalks: * These soundwalk environmental recordings—rendered while moving through the landscape at the human scale—possess an intimacy that a fixed position soundscape does not have. In the same way that a human photographed in front of a redwood tree helps communicate the grandeur of the tree, footsteps, and the passing of sounds in and out of the audible horizon lend dimensionality and scale. * It’s so much easier to get “good tape”, when you just roll all the time.* It gets me outside. * There’s room to grow. I’m getting better.Crane Lake Soundwalk is an interesting addition to the catalog. It’s stimulating. There’s a lot of wildlife to hear. And if you have the time to spare, you can compare this soundwalk to my debut Listening Spot release, Crane Lake Suite, made on the same day, in the same place, but from a fixed position. It does illustrate differences in the approach.It’s just not every day you find yourself next to a shallow body of water roiling with carp.Now, if you just tuned in to the soundwalk without reading this, and didn’t know about the carp, you might think it was me sloshing through the water, before realizing the splashes had a fishiness to them. I can imagine it being a little puzzling to the uninitiated.To get to Crane Lake you walk down a grassy lane on a seldom visited quarter of Sauvie Island, just north of Portland, Oregon.Soon enough you come to the lake. There are no official trails. Just slightly trampled lanes in the grass. Here we hear Cedar Waxwing, Black-headed Grosbeak, Tree Swallow, Song Sparrow, Western Wood Pewee, Yellow Warbler, Swainson’s Thrush… We also hear the swish of grass underfoot and the cottonwoods quaking in the breeze.At the lake Great Blue Herons stand statuesque. They occasionally erupt from the grass thickets with Cretaceous croaks, ranging around for a new fishing spot. This is like a fast food drive thru for Bald Eagles. Easy pickings in the shallow lake.Juveniles have dark head feathers. They remain silent for the duration of my visit. You will, however, hear a Stellar’s Jay mimic a Red-tailed hawk call (28:20). The Red-tailed Hawk call has long been a stand-in for an eagle call in Hollywood movie sound design. Fine sheets of rain fall in waves. The drops sound like little pin pricks, falling on the brim of my recording hat. I walk along the western perimeter of the lake on a little lane. Gentle sounds abound. I walk slowly. This is not the oldest composition I’m sharing this year, but it was tracked a year ago. It’s a little surprising to me that I’ve stuck with a lot of these instrument voices since then. My general drift, I would say, is toward a more electrified palette. But finding the electric sounds that are expressive is time consuming, so I guess it makes sense that when I find a few, I’m going to use them for a while. That’s about all I have to say about this one. I hope it adds a little something to your corner of the world. Thanks for listening and reading!Crane Lake Soundwalk is available on all music streaming services today, June 6. Have a listen, and if you enjoy what you hear, please consider telling just one person about it. Thank you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

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漫聲SoundWalk 簡志宏(C.H Chien) 我是一名攝影愛好者,攝影10多年,拍的都是自己的記憶,幾年前,開始思索,留下記憶的方式只能是影像而已?透過不到一場關於聲音的講座,提醒了自己本來就有錄音的習慣,只是一直都沒很深入的去思考,自己為什麼錄音?該怎麼錄音?在哪裡錄音? 於是,在那天之後,我花了幾千塊買了一台專業的低階錄音設備Zoom H4n,開始記錄我覺得自己值得紀錄的聲音,這跟攝影一樣,也會是我記憶的一部分,希望也可以成為你記憶的一部分 在這個頻道的聲音,我最建議的聆聽方式,就是請您閉上眼睛,心無旁鶩的感受,你會感受到最棒最真實,屬於你自己的單純 在podcast之前,我把錄音上傳至Youtube,歡迎各位收聽 YT連結 : https://goo.gl/yhRz2i 如果,您也認同我記錄的聲音,歡迎點擊以下連結您小額贊助,讓我更有能力去更多的地方紀錄及分享更多聲音,感恩您的收聽!! https://pay.firstory.me/user/soundwalk Powered by Firstory Hosting 在无锡荡马路 是小脑呀 《荡马路》是由小脑和旧馆长发起的一个社会声音艺术项目。*我们想记录无锡这个城市的文化和人。“你带我荡马路,我听你讲故事”是《荡马路》的slogan。*SoundWalk的形式是指:录音师和漫步者两人共同从漫步者熟悉的地方出发,漫步者边走边讲述,录音师进行收声记录。*我们目前在做的是荡马路第一张音频专辑。*我们定了一个小目标,在这张专辑中邀请100位漫步者录制100段录音。其中包含每段录音的行走线路图、摄影作品、录音脚本、以及普通话文本。*漫步者故事收录完成后,不是这个项目的终点,我们希望这只是一个引子,通过这些内容能够吸引到更多同好之人参与进来。我们希望有更独特的人参与其中,他们会让这个项目变得越来越有趣。*漫步者的故事折射了故事发生地的文化以及整个无锡的文化,这些深度私人的故事拉近了听众和这座城市的距离,以一种更亲近的方式将我们和这座城市连接。*无锡只是我们的起点,如果有可能,我们想为更多的城市做这件有意义的事情。我们欢迎你的报名参与。<b SongWalk Echoes Podcast Don Prisby A Catholic podcast featuring SoundWalk Echoes founder, author, and songwriter Don Prisby and guests celebrating Catholic legacy through music, art, scripture, and story. Saltwater Soundwalk Jenny Asarnow & Rachel Lam Saltwater Soundwalk is about our relationships and responsibilities towards the Salish Sea and connecting waters, centering Indigenous Coast Salish voices and language. In this rhythmic, watery audio experience, streams of stories ebb and flow, intermixing English with Coast Salish languages. Listen to learn where the traditional fishing ground “Hit the Water” is located in Seattle, to hear traditional Tulalip names of local places and to learn about the colonial history of Seattle and the construction of the Ship Canal. Indigenous rights, responsibilities and cultural preservation are essential to healing these waters, our relationship to them and to each other. As well, hear from a public artist and a Seattle Public Utilities manager about how we all impact these living waters. This is an experience for all of us to connect to the Salish Sea area, and a step towards creating healthier human relationships with this changing ecosystem. Voices featured are: Ken Workman (Duwamish), W

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This episode was published on June 6, 2025.

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I’ve been doing soundwalks for three years now, but it feels like longer. Crane Lake Soundwalk is officially #64.I remember the day my dad told me he listened to The Beatles’ “When I’m Sixty-Four” on the morning of his 64th birthday. He expressed a...

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