Crane Lake Suite

In early 2022, before I adopted the soundwalk form for a my own musical inquiry, I released a recording called Rain Suite. It featured one long field recording—not captured while walking—with a group of self-contained instrumental movements of varying character in the same key. This is the definition of “suite” in music. It was very much a R&D precursor to my soundwalks. Indeed, it inspired my take on the concept of musical soundwalks. I followed that up with Island Rain Suite a couple years later, which attempted to cultivate a more atmospheric aesthetic; closer to what people probably think of when you say the word ambient. Smoother, peaceful, more ambiguous. I quite liked the former, and found the latter challenging. Recently I thought I’d take another step in that direction, and I think I’ve finally found my stride. To make the delineation a little stronger I’m going to attempt a “spin off”. Today, I’m introducing a new recording project pseudonym, designed to be a repository for this particular character of recordings: Listening Spot. I selected this name because, like “soundwalk”, it is a term in the lexicon of folks who think about, and make a practice of, listening. Also, it wasn't already taken. It’s informative, but not prescriptive. The listener can bring many things to it, and make use of it however occurs to them. Crane Lake Suite is the first in a half dozen on deck, coming to you over the next five months. Here is the similar, but refreshed new look. Now then, about Crane Lake Suite… I chose this one for the inaugural release for two reasons: first because it’s recorded at Crane Lake on Sauvie Island, the nexus of Wapato Valley (the subject of the current soundwalk series) in one of the least disturbed, least visited corners of the island. Second, because its name nods to perhaps the most recognizable contribution to the suite form in classical music: Swan Lake. Crane Lake is positively alive in May. The shallow lake itself breathes slowly with the tide. Carp splash, songbirds sing, woodpeckers drum, heron croak, dragonflies buzz. My composition is minimal, ambiguous and orchestral in feel, without having any traditional orchestral instruments as starting points. From a mixing perspective, I’m marinating my contributions much more deeply in reverb than in the past and taking pains to smooth transitions. If you enjoy it please follow Listening Spot wherever you get your music, and consider sharing it with one other person. It’s really challenging to build momentum for a new thing, so I’m grateful for any support you can offer in this way. Crane Lake Suite is available on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) tomorrow, Friday, October 11th. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe