Curating Class 4: Samantha Manton on ‘Lives Less Ordinary: Working-class Britain Re-seen'

“This wasn’t an exhibition of ‘working-class art’, but an attempt to reframe working-class experience by utilising a gaze from within, bringing together a plurality of working-class voices”.  Samantha Manton, curator of ‘Lives Less Ordinary: Working-Class Britain Re-seen' at Two Temple Place in 2025 talks about her methodologies and the decisions she made – consciously and unconsciously – in initiating and putting together the exhibition.  “I had a rolling list of the ways in which I felt working-class artists and subjects have had their nuanced experiences, perspectives and contributions misinterpreted, misrepresented and dismissed completely in the service of sustaining narrow, simplistic and derogatory views of working-class life.   “In some cases I narrated these oppressions directly, but in others it was simply about actively resisting the oppressive tendencies that artists had been subject to in the past.”   https://twotempleplace.org/exhibitions/lives-less-ordinary/  This content has been adapted from an illustrated talk, introduced by curator, researcher and founder of the Working Class British Art Network Beth Hughes, and recorded in front of a live audience at Curating Class: Rethinking Art Exhibitions Methodologies. This day of talks and discussions was hosted by the University of Leeds Cultural Collections & Galleries in spring 2026 to coincide with the 2025-26 exhibition ‘[uz], [uz], [uz]: Artists from Working-Class Backgrounds’ at The Stanley & Audrey Burton Gallery.  Co-produced by University of Leeds Cultural Collections & Galleries and the Working Class British Art Network.  Image: A visitor to the exhibition ‘Lives Less Ordinary: Working-Class Britain Re-seen' at Two Temple Place, London. Credit: Richard Eaton.   Biography  Samantha Manton is a London-based curator, researcher and cultural producer with over fifteen years of experience across the creative sector. She spent six years as part of the team developing the V&A’s two new east London sites — the V&A East Storehouse and the recently opened V&A East Museum — and curated the latter’s Why We Make collection galleries. As an independent practitioner, she recently curated Lives Less Ordinary: Working-class Britain Re-seen for Two Temple Place, an exhibition which challenged stereotypical and reductive representations of working-class lives in art and ran from January to April 2025. Drawing on her own working-class background, Samantha’s practice centres underrepresented perspectives within museums and cultural institutions. She will shortly be embarking on a 'New Narratives' research fellowship with the Paul Mellon Centre to deepen her research into class and museum collections.