Curtis Campbell has something to say about AI in the arts

In this episode Curtis Campbell joins host Phil Rickaby to talk about AI in the theatre. In the lead up to this summer's Toronto Fringe, it was noticed that a number of shows were using AI generated posters, which sparked a discourse on social media about whether Generative AI should be used in the Fringe and beyond. This conversation spread to the Edinburgh Fringe, where AI generated posters were also seen. In this episode Curtis and Phil talk about AI, its use in the arts, and whether AI should be embraced or avoided. Note: in this episode, Curtis mentions a video that Phil published about his poster creation process. That video can be found here. Guest: 🎭 Curtis Campbell Curtis Campbell is a writer and theatre artist. Some previous credits as a writer and director include Katherine Is Not A Communist, Imp, BETR With Bevan and Color Me Pablo. His novel Dragging Mason County was be published by Annick Press in 2023. His plays Gay For Pay with Blake & Clay and Blake & Clay's Gay Agenda were Fringe hits. Connect with Curtis 🌐 website: campwrites.weebly.com 📸 Instagram: @curtisdangcampbell Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthyRead transcript