EPISODE · Apr 6, 2025 · 1H 42M
Daniel Davis
from Backstage Babble · host cbroadwaypodcast
Today, I’m thrilled to be joined by Tony nominee Daniel Davis. Tune in to hear some of the stories of his legendary carer, including his fateful audition for COCO, bringing Katharine Hepburn to dinner with his parents, the disagreement he had with Ian McKellen about AMADEUS, what he admired about Gavin Creel in LA CAGE AUX FOLLES, competing with Roddy McDowall for the role of Niles in THE NANNY, taking inspiration from Eric Blore and Arthur Treacher, acting with Eva Le Gallienne in ALL’S WELL THAT ENDS WELL, his unexpected Tony nomination for WRONG MOUNTAIN, the gift he got from Tom Stoppard during THE INVENTION F LOVOE, the difficulty of doing NOISES OFF at the American Airlines Theater, how Nathan Lane thought of him for THE FROGS, a full-circle moment appearing on ELSBETH, the challenge of playing Iago in OTHELLO, how he almost replaced Len Cariou in SWEENEY TODD, and so much more. Don’t miss this honest conversation with a true veteran of the American stage.
What this episode covers
Today, I’m thrilled to be joined by Tony nominee Daniel Davis. Tune in to hear some of the stories of his legendary carer, including his fateful audition for COCO, bringing Katharine Hepburn to dinner with his parents, the disagreement he had with Ian McKellen about AMADEUS, what he admired about Gavin Creel in LA CAGE AUX FOLLES, competing with Roddy McDowall for the role of Niles in THE NANNY, taking inspiration from Eric Blore and Arthur Treacher, acting with Eva Le Gallienne in ALL’S WELL THAT ENDS WELL, his unexpected Tony nomination for WRONG MOUNTAIN, the gift he got from Tom Stoppard during THE INVENTION F LOVOE, the difficulty of doing NOISES OFF at the American Airlines Theater, how Nathan Lane thought of him for THE FROGS, a full-circle moment appearing on ELSBETH, the challenge of playing Iago in OTHELLO, how he almost replaced Len Cariou in SWEENEY TODD, and so much more. Don’t miss this honest conversation with a true veteran of the American stage.
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Daniel Davis
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