Dante's Inferno: A 13th-Century Scared Straight! (Inferno, Part 1) episode artwork

EPISODE · Jul 8, 2024 · 35 MIN

Dante's Inferno: A 13th-Century Scared Straight! (Inferno, Part 1)

from The Norton Library Podcast · host The Norton Library

In Part 1 of our discussion on Dante's Inferno, we welcome translator Michael Palma to discuss Dante's life and the context in which he wrote the Inferno, the narrative structure of The Divine Comedy, and what makes the Inferno so durably compelling.  Michael Palma is the award-winning translator of Diego Valeri and Guido Gozzano, among others, and he has published four collections of his own verse: The Egg Shape, Antibodies, A Fortune in Gold, and Beginning Gladness, and he has also published the title Faithful in My Fashion: Essays on the Translation of Poetry. To learn more or purchase a copy of the Norton Library edition of Inferno, go to https://seagull.wwnorton.com/InfernoNL.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at [email protected] or find us on Twitter @TNL_WWN.Episode transcript at https://seagull.wwnorton.com/Inferno/part1/transcript.

In Part 1 of our discussion on Dante's Inferno, we welcome translator Michael Palma to discuss Dante's life and the context in which he wrote the Inferno, the narrative structure of The Divine Comedy, and what makes the Inferno so durably compelling. Michael Palma is the award-winning translator of Diego Valeri and Guido Gozzano, among others, and he has published four collections of his own verse: The Egg Shape, Antibodies, A Fortune in Gold, and Beginning Gladness, and he has also p...

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Dante's Inferno: A 13th-Century Scared Straight! (Inferno, Part 1)

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This episode was published on July 8, 2024.

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In Part 1 of our discussion on Dante's Inferno, we welcome translator Michael Palma to discuss Dante's life and the context in which he wrote the Inferno, the narrative structure of The Divine Comedy, and what makes the Inferno so durably...

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