第103个故事：《声生不息•宝岛季》：当台湾“流行”音乐登上大陆“怀旧”综艺

00:03:01 总体观感以及喜欢的表演00:10:09 怀旧与成长过程中的流行文化、消费怀旧00:14:36 《港乐季》与《宝岛季》的比较00:26:16 《宝岛季》对金曲奖的重视；金曲奖的历史时代背景和政治经济文化逻辑00:32:36 中国大陆流行文化市场的变化00:34:26 与韩国流行文化机制和市场对比00:38:21 东亚不同区域流行文化的相互影响00:43:36 流行文化中的大众与小众00:48:21 后疫情时代的演唱会不断00:53:01 流行音乐与独立音乐00:56:36 《宝岛季》中对于台湾流行音乐相关词汇的运用01:05:21 《宝岛季》中出现与没有出现的歌手、音乐、历史（鼓励朋友们自行搜索林献堂的复杂生平）01:17:28 台湾分会场选址的旅游化01:26:41 流行音乐中的中国风01:40:56 第三季会是“南洋季”吗？ BGM: Goldberg Variations, BWV. 988 - Variation 22 嘉宾的论文：Gao, Yuan. “‘Amit, Wake up’: Indigenization, Gender and Taiwanese Pop Star Chang Hui-Mei’s Music.” Continuum, vol. 34, no. 4, July 2020, pp. 543–55. Li, Andong. Mutual Understanding without Guarantees: Articulating Memories of Taiwan in Global China (PhD Dissertation).Shi, Flair Donglai. ‘Reconsidering Sinophone Studies: The Chinese Cold War, Multiple Sinocentrisms, and Theoretical Generalisation’, International Journal of Taiwan Studies, Vol. 4, no. 2 (2021): 311-344. 节目中提到的书和文章：Ching, Leo T. S. Anti-Japan: The Politics of Sentiment in Postcolonial East Asia. Duke University Press, 2019.Jian, Miaoju. “How Taiwanese Indie Music Embraces the World: Global Mandopop, East Asian DIY Networks, and the Translocal Entrepreneurial Promoters.” Made in Taiwan: Studies in Popular Music, Routledge, 2019.Jones, Andrew F. Circuit Listening: Chinese Popular Music in the Global 1960s. University of Minnesota Press, 2020. Lin, Chen-yu. “Multidimensionality of Chineseness in Taiwan’s Mandopop: Jay Chou’s China Wind Pop and the Transnational Audience.” Made in Taiwan: Studies in Popular Music, Routledge, 2019.Wang Zheng, “Feminist Struggles in Changing China” in Women’s Movements in the Global Era: The Power of Local Feminisms, 2017. 杜赞奇《从民族国家拯救历史：民族主义话语与中国现代史研究》（2009）约翰·菲斯克《解读大众文化》（2006）马塞尔·普鲁斯特《追忆似水年华》