第123个故事：子珊X葛亮XEvaX奚可：乙女游戏不止恋爱

00:00:40 嘉宾简介：葛亮，伦敦大学学院数字社会学助理教授/讲师赖子珊，新加坡国立大学传播与新媒体学院博士候选人Eva，俄亥俄大学媒体研究博士生赵奚可，杜克大学liberal studies硕士生00:03:25 乙女游戏历程00:47:20 乙女游戏的历史和发展01:08:10 乙女游戏的特点01:14:30 中国游戏产业、政策和市场01:31:38 游戏的衍生类活动01:50:08 游戏配音02:09:53 乙女游戏和性别02:26:35 乙女游戏和消费主义02:42:00 对乙女游戏的期待提到的游戏：《恋与制作人》（苏州叠纸网络科技有限公司）《恋与深空》（苏州叠纸网络科技有限公司）《光与夜之恋》（腾讯游戏旗下北极光工作室）《代号鸢》（代号鸢工作室）《遇见逆水寒》（网易游戏）《世界之外》（网易游戏）《时空中的绘旅人》（网易游戏）《未定事件簿》（米哈游）《薄樱鬼》（Idea Factory）《终远的威尔修 ErroR:salvation》（Idea Factory旗下Otomate）《异世界配信：谎言与真实》（Idea Factory旗下Otomate）《even if TEMPEST 黄昏中魔女如是说》（Voltage）《女神异闻录》（ATLUS）《偶像梦幻祭》（Kodansha）《仙剑奇侠传三》（大宇资讯旗下上海软星）《仙剑奇侠传三外传：问情篇》（大宇资讯旗下上海软星）《仙剑奇侠传五》（大宇资讯旗下北京软星）《命运石之门》（5pb.）《Fate系列》（Type-Moon）《古剑奇谭一》（上海烛龙信息科技有限公司）《古剑奇谭二》（上海烛龙信息科技有限公司）《梦王国与沉睡的100名王子》（GCREST）《王者荣耀》（腾讯旗下天美工作室群L1工作室）《原神》（米哈游）《撸啊撸》（北京萌我爱网络有限公司）《奇迹暖暖》（苏州叠纸网络科技有限公司）《模拟人生》（Maxis）《Paradox Live》(avex和GCREST）《催眠麦克风-Division Rap Battle》（Idea Factory旗下Otomate)《偶像梦幻祭》（乐元素旗下Happy Elements K.K.）提到的其他文化产品：吉屋信子《花物语》日漫《樱兰高校男公关部》日漫《网球王子》播客《配音修罗道》综艺《我是特优声》《声临其境》君sola《探虚陵》（百合小说、广播剧）唐酒卿《将进酒》（耽美小说、广播剧）相关学术研究推荐：Chess, Shira. Ready Player Two: Women Gamers and Designed Identity. University of Minnesota Press, 2017. https://doi.org/10.5749/j.ctt1pwt7z7.Ganzon, Sarah Christina. “Making Love Not War: Female Power and the Emotional Labor of Peace in Code: Realize—The Guardian of Rebirth and Princess Arthur.” Digital Love: Romance and Sexuality in Games, edited by Heidi McDonald, CRC Press/Taylor & Francis Group, 2018, pp. 37–58.Ganzon, Sarah Christina. “‘Sweet Solutions for Female Gamers’: Cheritz, Korean Otome Games, and Global Otome Game Players.” Digital Love: Romance and Sexuality in Games, edited by Heidi McDonald, CRC Press/Taylor & Francis Group, 2018, pp. 225–44.Ge, Liang. “Feminization of Labor: Vulnerability of Women Workers in the Digital Audio Drama Industry.” Convergence, https://journals.sagepub.com/doi/10.1177/13548565251325531.Laurel, Brenda. “Why Not Make Video Games for Girls?” TED. 1998, https://www.ted.com/talks/brenda_laurel_why_not_make_video_games_for_girls. Accessed Apr. 2025. Light, Ben, Jean Burgess, and Stefanie Duguay. "The walkthrough method: An approach to the study of apps." New media & society 20, no. 3 (2018): 881-900.Lynch, Teresa, Jessica E. Tompkins, Irene I. Van Driel, and Niki Fritz. "Sexy, strong, and secondary: A content analysis of female characters in video games across 31 years." Journal of Communication 66, no. 4 (2016): 564-584.Lai, Zishan, and Tingting Liu. "'Protecting our female gaze rights': Chinese female gamers’ and game producers’ negotiations with government restrictions on erotic material." Games and Culture 19, no. 1 (2024): 3-23.Liu, Eva Y. "When feminist awareness clashes with romance in games: a feminist reception study of otome gamers in China." Chinese Journal of Communication (2024): 1-17.Liu, Tingting, and Zishan Lai. "From non-player characters to othered participants: Chinese women's gaming experience in the ‘free ’ digital market." Information, Communication & Society 25, no. 3 (2022): 376-394.Liu, Tingting, and Zishan Lai. "Eroticism and Design Workshops in Game Interfaces: Exploring a Mobile Otome Game for Chinese Women." Games and Culture (2024): 15554120241306788.Yodovich, Neta, and Jinju Kim. "Exploring the feminisation of backseat gaming through Girlfriend Reviews YouTube channel." Games and Culture 17, no. 5 (2022): 795-815.