“DIRTY COMMIES!” DC Comics’ OG Superheroes Laid Low by The Red Scare & Rise Again in THE GOLDEN AGE!

Chris and Steven testify before you all, spilling their guts on how DC Comics’ OG Superheroes were laid low by the spectre of McCarthyism in “The Red Scare” era of post-WWII USA. This is their battle to rise again in THE GOLDEN AGE (1993), written by James Robinson, drawn by Paul Smith, colored by Richard Ory, and lettered by John Costanza. Will our motley gang of “dirty commies!” triumph in this Elseworlds tale? Featuring OG Hawkman, OG Green Lantern, OG Starman, OG Flash, OG Sandman, Robotman, OG version of The Atom, Hourman, Liberty Bell, The Tarantula, etc.COMICS ROT YOUR BRAIN! is a deep dive into ‘80s comic books (plus a few notable exceptions) in a weekly podcast format. Screenwriters Steven Bagatourian (AMERICAN GUN) and Chris Derrick (STAR TREK: PICARD) & discuss their favorite books, runs, and creators from the Bronze Age.SHOW NOTES02:01 - Introducing the creative team, explaning the concept behind DC Comics’ Elseworlds stories, and summarizing THE GOLDEN AGE10:03 - Hot take alert! Chris makes the bold claim that THE GOLDEN AGE is “as good or better than WATCHMEN” …and, in fact, HE likes GA better!39:44 - Richard Ory’s exquisite coloring in THE GOLDEN AGE — how the heck did he do it? Chris has the scoop, straight from the horse’s mouth — a CRYB! exclusive43:27 - Paul Smith’s artistic influences, plus what exactly is his peak period?57:35 - The rarely used literary device of “Second Person Narration,” deployed expertly by James Robinson here in THE GOLDEN AGE1:04:10 - The art and design for Paul Smith’s classic covers  1:12:21 - THE GOLDEN AGE’s surprisingly disturbing hallucinatory imagery — rats, eagles, and folks’ faces being chewed off!1:16:18 - Chris declares that when it comes to being a wordsmith, the Tarantula ain’t no Fitzgerald; we read some of the prose aloud, just to be sure1:26:00 - Circling back on the comparison to Moore & Gibbons’ WATCHMEN with a detour through Lindelof/HBO’s WATCHMEN, expanding into a discussion of the built-in dramatic weight afforded one when telling stories with iconic characters1:44:36 - The ability to make extreme choices in storytelling with non-mainstream characters, evolving into some ruminations on DC Comics’ Elseworlds line1:49:43 - The “Eisners Situation” with THE GOLDEN AGE1:57:24 - Rob Liefeld, Youngblood, Image Comics, Neal Adams, creators’ rights, and big personalities with big dreams2:07:26 - Terminal City, Dean Motter, Michael Lark, Mister X, Vortex Comics2:27:00 - More gushing about the amazing art of Paul Smith©2024  Comics Rot Your Brain!#dccomics #dcuniverse #justicesocietyofamerica #comicbooks #new #content #explainedDrop us a line! Support the show+ Check out our YouTube channel to get a look at some of the fantastic art featured in our episodes. Visit ComicsRotYourBrain.com to sign up for our newsletter, Letter Column. You can also find us wherever you stream your favorite podcasts.+ We appreciate your support of the show via Patreon: ComicsRotYourBrain+ For even more cool shit, read Chris's Substack (cinema, comics, and culture) - THIN ICE©2024  Comics Rot Your Brain!#comicbooks #comics #graphicnovel