Dissolving into desire: Oliver Coates’ 'Pillion' score is 'radiant, grounded, romantic melancholy'

The composer contemplates tenderness over grit, motorbike purrs in his signature cello, digital androgyny in the human voice, and why the best music “dissolves” into the vision of a director. If you enjoyed this interview, hit subscribe, leave a comment, and share your thoughts. I’d love to know what you think. Stay tuned for more conversations and new episodes of the podcast, where we go deeper into the stories shaping film, television and the people who bring them to life.