EPISODE · Feb 3, 2026 · 28 MIN
Downwind, An Opera Born From Nuclear Fallout
from Latino Business Report · host J.R. Gonzales
Episode 124 - Before sunrise on July 16, 1945, the New Mexico desert became the epicenter of a new and terrifying era. The Trinity test—the world’s first nuclear explosion—changed the planet forever, without warning the tens of thousands of people living nearby. In the years that followed, families across surrounding communities began to suffer mysterious and devastating health effects. They became known as the Downwinders—ordinary people living with the consequences of an extraordinary and closely guarded secret. This episode explores Downwind, a world-premiere opera by student composers Michael Smith and Demian Galvan. After traveling to New Mexico to better understand the land and the legacy of Trinity, the composers bring these often-ignored stories to the stage. As Smith writes, “While the family in our opera is fictional, the reality that they face is not.” Together, we examine the history, the harm, and the haunting beauty of a work that asks a powerful question: what does progress cost—and who is made to pay the price? Ticket Sales Link - https://music.utexas.edu/events/5255-downwind
What this episode covers
Episode 124 - Before sunrise on July 16, 1945, the New Mexico desert became the epicenter of a new and terrifying era. The Trinity test—the world’s first nuclear explosion—changed the planet forever, without warning the tens of thousands of people living nearby. In the years that followed, families across surrounding communities began to suffer mysterious and devastating health effects. They became known as the Downwinders—ordinary people living with the consequences of an extraordinary and closely guarded secret. This episode explores Downwind, a world-premiere opera by student composers Michael Smith and Demian Galvan. After traveling to New Mexico to better understand the land and the legacy of Trinity, the composers bring these often-ignored stories to the stage. As Smith writes, “While the family in our opera is fictional, the reality that they face is not.” Together, we examine the history, the harm, and the haunting beauty of a work that asks a powerful question: what does progress cost—and who is made to pay the price? Ticket Sales Link - https://music.utexas.edu/events/5255-downwind
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Downwind, An Opera Born From Nuclear Fallout
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