DP Roundtable: From Brilliant Color to Black and White, Lensing a Sundance Award-Winning Film episode artwork

EPISODE · Mar 13, 2017 · 31 MIN

DP Roundtable: From Brilliant Color to Black and White, Lensing a Sundance Award-Winning Film

from The No Film School Podcast · host No Film School

In today's episode of The New Film School Podcast, writer Oakley Anderson Moore talks with two DPs. Her guests are Andrew Ackerman, who shot the brilliant, colorful underwater documentary "Chasing Coral," and Ante Cheng who DPed the nuanced black and white narrative Gook, set during the 1992 LA riots. While the style of productions are practically polar opposites of each other, from underwater timelapse nightmares to stylized lighting for black and white, they find common ground in the joy of telling a story through the visual image. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode of The New Film School Podcast, writer Oakley Anderson Moore talks with two DPs. Her guests are Andrew Ackerman, who shot the brilliant, colorful underwater documentary "Chasing Coral," and Ante Cheng who DPed the nuanced black and white narrative Gook, set during the 1992 LA riots. While the style of productions are practically polar opposites of each other, from underwater timelapse nightmares to stylized lighting for black and white, they find common ground in the joy of telling a story through the visual image. Learn more about your ad choices. Visit megaphone.fm/adchoices

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DP Roundtable: From Brilliant Color to Black and White, Lensing a Sundance Award-Winning Film

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In today's episode of The New Film School Podcast, writer Oakley Anderson Moore talks with two DPs. Her guests are Andrew Ackerman, who shot the brilliant, colorful underwater documentary "Chasing Coral," and Ante Cheng who DPed the nuanced black...

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