Dr. Nina Angela Mercer: Mythologies of Erasure (Part Two)

In Part Two of Mythologies of Erasure, we continue our visit with playwright and scholar Dr. Nina Angela Mercer who draws from family roots in Washington, DC and her lifelong fascination with mythology and world-building to examine how stories a society or community tells about itself too often promote marginalization and erasure of history. Dr. Nina Angela Mercer is a culture worker, scholar, and interdisciplinary artist. Her plays include GUTTA BEAUTIFUL; ⁠ITAGUA MEJI: A ROAD AND A PRAYER⁠; ELIJAHEEN BECOMES WIND; CHARISMA AT THE CROSSROADS; A COMPULSION FOR BREATHING; MOTHER WIT AND WATER-BORN; and ⁠GYPSY AND THE BULLY DOOR⁠. She also collaborated with Urban Bush Women as writer and performer in HAINT BLU. Nina’s writing is published in The Killens Review of Arts & Letters; Black Renaissance Noire; Continuum: The Journal of African Diaspora Drama, Theatre, and Performance; ⁠A Gathering of the Tribes Magazine Online⁠; Break Beat Poets Vol 2: Black Girl Magic; Are You Entertained? Black Popular Culture in the 21st Century; Performance Research Journal; Represent! New Plays for Multicultural Young People; and So We Can Know. She is currently a community engagement fellow at The Woodshed Center for Art, Thought, and Culture at Georgetown University's Racial Justice Institute. She is also the executive director of ⁠Ocean Ana Rising, Inc./OAR⁠. For more information, visit her at ⁠www.ninaangelamercer.com⁠. For more about Dr. Mercer, also visit InfiniteBody blog. Click here.