Dramatic Questions, Shaping Your Play, and What Every Playwright Should Be Doing - Playwright's Spotlight with Catherine Filloux episode artwork

EPISODE · Jul 23, 2024 · 1H 21M

Dramatic Questions, Shaping Your Play, and What Every Playwright Should Be Doing - Playwright's Spotlight with Catherine Filloux

from James Elden's Playwright's Spotlight · host James Elden/ Catherine Filloux

Send us Fan MailCatherine Filloux dropped into the Playwright's Spotlight before the New York Premiere of her new play How to Eat an Orange. We spoke about her development and involvement in Theatre Without Borders and transitioning from an actor to playwright which would later push her into becoming a librettist for operas. She explained the structure of a libretto, the purpose of arias, developing characters and writing for range. We also touched on the dramatic question, theatrical perspectives, framing and shaping your play, and whether or not there is one thing that all playwrights should be doing. Catherine brings her knowledge and experience to this episode that I think everyone listening will walk away with something. Enjoy!  Catherine Filloux is an award-winning playwright who has been writing about human rights and social justice for over twenty-five years. Her plays have been produced around the U.S. and internationally. Filloux was honored with the 2019 Barry Lopez Visiting Writer in Ethics and Community Fellowship; the 2017 Otto René Castillo Award for Political Theatre and the 2015 Planet Activist Award due to her long career as an activist artist in the theater community. She received her M.F.A. at NYU’s Tisch School of the Arts’ Dramatic Writing Program and is a co-founder of Theatre Without Borders as well as an alumna of New Dramatists. She has taught playwriting at many universities and colleges including Vassar College, Wesleyan University and Bennington College. Plays include White Savior, whatdoesfreemean?, Kidnap Road, and How to Eat an Orange.To watch the video format of this episode, visit -https://youtu.be/VZZqwhmP_H8Links to resources mentioned in this episode -Theatre Without Borders -https://theatrewithoutborders.com/Circle in the Square Theatre -https://circlesquare.org/theatre/HB Theatre Foundation - https://www.hbstudio.orgWebsite and Socials for Catherine Filloux -www.catherinefilloux.comIG - @catherinefillouxwriterFacebook - https://www.facebook.com/CFillouxWriter/X - @CFillouxWriterWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

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Send us Fan Mail Catherine Filloux dropped into the Playwright's Spotlight before the New York Premiere of her new play How to Eat an Orange. We spoke about her development and involvement in Theatre Without Borders and transitioning from an actor to playwright which would later push her into becoming a librettist for operas. She explained the structure of a libretto, the purpose of arias, developing characters and writing for range. We also touched on the dramatic question, theatrical perspe...

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Dramatic Questions, Shaping Your Play, and What Every Playwright Should Be Doing - Playwright's Spotlight with Catherine Filloux

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