EPISODE · Dec 21, 2015 · 1H 55M
DZ-28: Containing Your Script
from Draft Zero: a screenwriting podcast · host Chas Fisher and Stuart Willis
Listen if you're writing a contained thriller, drama, or any story limited to a single location Contained Thrillers seem to be a genre that never goes out of fashion. But being contained is not just limited to thrillers. It's a way of telling stories on a lower budget, regardless of genre. So - while allegedly easier to make / get made - limiting a story to a single location also limits the tools that maintain an audience's interest. Changing audience or character point of view, intercutting between locations or characters are all much harder (if not impossible) in contained films. So how do good contained films hook their audience and keep them? In unravelling this locked room mystery, Stu & Chas look at three scripts form different genres: LOCKE - a drama; THE ONE I LOVE - a romcom or psychological thriller depending if you're Chas or Stu; and EVERLY - an exploitation action movie. They also discuss films including BURIED, PHONE BOOTH, THE DISAPPEARANCE OF ALICE CREED, CUBE & CUBE 2, INFINITE MAN and BOXING DAY. BACKMATTER As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. LIKE THIS EPISODE? Send us feedback. Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily. ——— FILMS LOCKE (2014) — (w) Steven Knight THE ONE I LOVE (2014) — (w) Justin Lader (d) Charlie Mcdowell EVERLY (2015) — (w) Yale Hannon, Yale Hannon, Joe Lynch (d) Joe Lynch SCRIPTS Study the script: LOCKE (2014) — Steven Knight LINKS YouTube: Locke - Trailer Read: The Q&A Podcast: Steven Knight - Pawn Sacrifice Q&A IMDB: The One I Love by Justin Lader (IMDB) Read: Watch on Netflix (US) and on Stan (Australia) IMDB: Everly screenplay by Yalo Hannon, story by Joe Lynch & Yale Hannon (IMDB) YouTube: Everly - Official Trailer #1 Read: The Movie Crypt with Adam Green & Joe Lynch IMDB: Boxing Day (IMDB) YouTube: Boxing Day - Trailer Listen: Boxing Day - Watch on iTunes IMDB: The Infinte Man (IMDB) YouTube: The Infinite Man - Trailer Listen: The Infinite Man - Watch on iTunes YouTube: Phone Booth - Trailer Read: ScriptShadow - GSU!!! (Goal, Stakes, Ugency) Read: Wikipedia: Pathetic Fallacy & LiteraryDevices.Net: Pathetic Fallacy Read: Wikipedia: Pathetic Fallacy & LiteraryDevices.Net: Pathetic Fallacy Read: The Guardian: Covenhithe (short story) by China Miéville Read: Grant Nebel on Story Intensity Over Time & Forms of Storytelling on Television Read: Pete's Blog: A Thousand Men : TV for Writers Read: The Screen Director Podcast produced by Ben Mizzi Read: The Screen Director Podcast produced by Ben Mizzi Read: Writing Predestination - The Spierig Brothers Read: Corrie Chen on Bloomers Read: Julietta Boscolo on Love Child Read: Tommy Schlamme (The West Wing, Manhattan) interviewed by DZ's very own Stu Willis RELATED EPISODES DZ-05: Shifting audience point of view and heightened emotions ——— More Draft Zero is brought to you by our awesome Patreons. If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. Full show notes at: https://draft-zero.com/2015/dz-28/
What this episode covers
Listen if you're writing a contained thriller, drama, or any story limited to a single location Contained Thrillers seem to be a genre that never goes out of fashion. But being contained is not just limited to thrillers. It's a way of telling stories on a lower budget, regardless of genre. So - while allegedly easier to make / get made - limiting a story to a single location also limits the tools that maintain an audience's interest. Changing audience or character point of view, intercutting between locations or characters are all much harder (if not impossible) in contained films. So how do good contained films hook their audience and keep them? In unravelling this locked room mystery, Stu & Chas look at three scripts form different genres: LOCKE - a drama; THE ONE I LOVE - a romcom or psychological thriller depending if you're Chas or Stu; and EVERLY - an exploitation action movie. They also discuss films including BURIED, PHONE BOOTH, THE DISAPPEARANCE OF ALICE CREED, CUBE & CUBE 2, INFINITE MAN and BOXING DAY. BACKMATTER As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. LIKE THIS EPISODE? Send us feedback. Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily. ——— FILMS LOCKE (2014) — (w) Steven Knight THE ONE I LOVE (2014) — (w) Justin Lader (d) Charlie Mcdowell EVERLY (2015) — (w) Yale Hannon, Yale Hannon, Joe Lynch (d) Joe Lynch SCRIPTS Study the script: LOCKE (2014) — Steven Knight LINKS YouTube: Locke - Trailer Read: The Q&A Podcast: Steven Knight - Pawn Sacrifice Q&A IMDB: The One I Love by Justin Lader (IMDB) Read: Watch on Netflix (US) and on Stan (Australia) IMDB: Everly screenplay by Yalo Hannon, story by Joe Lynch & Yale Hannon (IMDB) YouTube: Everly - Official Trailer #1 Read: The Movie Crypt with Adam Green & Joe Lynch IMDB: Boxing Day (IMDB) YouTube: Boxing Day - Trailer Listen: Boxing Day - Watch on iTunes IMDB: The Infinte Man (IMDB) YouTube: The Infinite Man - Trailer Listen: The Infinite Man - Watch on iTunes YouTube: Phone Booth - Trailer Read: ScriptShadow - GSU!!! (Goal, Stakes, Ugency) Read: Wikipedia: Pathetic Fallacy & LiteraryDevices.Net: Pathetic Fallacy Read: Wikipedia: Pathetic Fallacy & LiteraryDevices.Net: Pathetic Fallacy Read: The Guardian: Covenhithe (short story) by China Miéville Read: Grant Nebel on Story Intensity Over Time & Forms of Storytelling on Television Read: Pete's Blog: A Thousand Men : TV for Writers Read: The Screen Director Podcast produced by Ben Mizzi Read: The Screen Director Podcast produced by Ben Mizzi Read: Writing Predestination - The Spierig Brothers Read: Corrie Chen on Bloomers Read: Julietta Boscolo on Love Child Read: Tommy Schlamme (The West Wing, Manhattan) interviewed by DZ's very own Stu Willis RELATED EPISODES DZ-05: Shifting audience point of view and heightened emotions ——— More Draft Zero is brought to you by our awesome Patreons. If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. Full show notes at: https://draft-zero.com/2015/dz-28/
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DZ-28: Containing Your Script
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