DZ-68: Using POV to structure KNIVES OUT

Listen to help you master the gap between what your audience knows and what your characters know. Born out of isolation madness, this episode is an edited version of Draft Zero’s first YouTube livestream. Stu and Chas both watched KNIVES OUT and - together with our listeners - broke down each sequence and turning point by reference to what the audience knows in relation to the characters (aka narrative point of view). They then answer listener questions on KNIVES OUT and much else besides live on air. If you want to watch along instead of listen, the video of the episode can be found here: As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. LIKE THIS EPISODE? Watch and comment on YouTube. Send us feedback. Thanks to our Patrons, especially Theis, Jesse, Jack, Chris, Khrob, Sandra, Nick and Matteo. ——— CHAPTERS 00:05:19 – Summary of narrative point of view and audience expectations 00:10:12 – Exploring some of Rian Johnson's word craft 00:14:15 – Micro POV shifts in the interview montage 00:21:16 – How POV shifts turn the film 00:47:22 – When to let your foot off the plot gas 00:59:46 – Backmatter / Listener Questions FILMS KNIVES OUT (2019) — (w) Rian Johnson SCRIPTS Study the script: KNIVES OUT (2019) — Rian Johnson RELATED EPISODES DZ-05: Shifting audience point of view and heightened emotions DZ-46: Structure & Point of View ——— More Draft Zero is brought to you by our awesome Patreons. If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. Full show notes at: https://draft-zero.com/2020/dz-68/