E06: Tavis Pinnington - Cinematography in Melbourne’s Landscape [Part Two]

Today we have the second half of the podcast with Melbourne-based cinematographer Tavis Pinnington. In this part of the episode we talk about Westgate, the process, scheduling, and film festivals of the film, as well as Tavis’ other narrative works that he has completed recently. We delve into the importance of creating genuine ongoing relationships with other filmmakers, advice for cinematographers, and much more. Scheduling of Westgate Opportunities films can lead toScreening your films in cinemaBeing perceived in the industryGoal setting Growing with films Life experience turning into your artVulnerability in films The worth of films - and how people perceive your workLetterboxd reviews and peer feedback Shooting ‘Boys Club’Visual style and colour choicesHow different films can open up to different experiencesShooting with an intimacy coordinator Danaë’s producing style- how generosity and kindness creates the best setsLa Petite MortOngoing working relationships and the benefitsAmerican Society of Cinematographers MentorshipAdvice for cinematographersMentioned: WestgateAdrian OrtegaLetterboxd Marty Supreme Boys ClubDanaë GrieefMarissa Faith BensonDaniela FinkDaniel AgarVictor TikhanovLiam MollicaMary GavriilidouDimas SujonoIndi SandwellData CreepChristopher Nolan Follow the podcast on instagram: ⁠⁠⁠@teatimefilmpodcast⁠⁠⁠ Follow Tea on instagram: ⁠⁠⁠@teavandeburgt⁠⁠⁠ Follow Tavis on instagram: ⁠@⁠tpdop⁠To leave the podcast feedback ⁠⁠⁠follow this link