E110: Taylor Swift's High School Songs - A High School Musical Comparison

"I'm not a princess, this ain't a fairy tale." What happens when we look at Taylor Swift's music through the lens of high school—specifically, the cultural phenomenon that is “High School Musical”? This week, we explore how adolescence shapes storytelling in literature, film, and music. From the fairy tale expectations in "White Horse" to the transformative power of "Change" to the nostalgia of "So High School," we discuss how Taylor's perspective on high school has evolved over time, and why these coming-of-age narratives continue to resonate across generations. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com    Mentioned in this episode:  High School Musical (2006) The Catcher in the Rye, J.D. Salinger A Separate Peace, John Knowles The Perks of Being a Wallflower, Stephen Chbosky The Breakfast Club ***   Episode Highlights [01:08] Why High School Musical? [02:42] Adolescence as a theme in literature [07:22] "White Horse" and Gabriella's fairy tale [20:09] "Change" and high school transformation [29:20]  "So High School" and looking at teenage love as an adult Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at [email protected]  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.