Egoist - George Meredith - Part 2

from Egoist · host George Meredith

The Egoist is a tragi-comical novel by George Meredith published in 1879. The novel recounts the story of self-absorbed Sir Willoughby Patterne and his attempts at marriage; jilted by his first bride-to-be, he vacillates between the sentimental Laetitia Dale and the strong-willed Clara Middleton. More importantly, the novel follows Clara's attempts to escape from her engagement to Sir Willoughby, who desires women to serve as a mirror for him and consequently cannot understand why she would not want to marry him. Thus, The Egoist dramatizes the difficulty contingent upon being a woman in Victorian society, when women's bodies and minds are trafficked between fathers and husbands to cement male bonds. (Summary from Wikipedia)

Episode metadata supplied by the publisher feed · Published May 27, 2026

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Egoist - George Meredith - Part 2

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Backwater (Pilgrimage, Vol. 2) by Dorothy Richardson (1873 - 1957) LibriVox "Backwater" is the second volume of "Pilgrimage," a series of thirteen autobiographical novels by Dorothy Richardson considered to have pioneered the "stream of consciousness" technique of writing. In a review of the first volume in the series, "Pointed Roofs" (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term "interior monologue." Miriam Henderson, the central character in Pilgrimage, is based on the author's own life between 1891 and 1915. Richardson is also important as a feminist writer because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923 Prufrock and Other Observations by T. S. Eliot (1888 - 1965) LibriVox Prufrock and Other Observations was published in 1917 in a print run of only 500 copies by Egoist Press in London. It features The Love Song of J. Alfred Prufrock, possibly Eliot’s most famous work, a stream-of-consciousness monologue of a man facing insecurity, uncertainty, and his own inertia. Originally written in 1911 and published in 1915 at the encouragement of Ezra Pound, Prufrock is commonly cited as a work marking the start of the modern poetry era. The collection also includes poems like Portrait of a Lady and Rhapsody on a Windy Night -- featuring detailed character studies, observations on the isolation of present-day society, and grappling with post-war disillusionment. - Summary by Elise Dee The Egoist by George Meredith Loyal Books The Egoist is a tragicomical novel by George Meredith published in 1879. The novel recounts the story of self-absorbed Sir Willoughby Patterne and his attempts at marriage; jilted by his first bride-to-be, he vacillates between the sentimental Laetitia Dale and the strong-willed Clara Middleton. More importantly, the novel follows Clara’s attempts to escape from her engagement to Sir Willoughby, who desires women to serve as a mirror for him and consequently cannot understand why she would not want to marry him. Thus, The Egoist dramatizes the difficulty contingent upon being a woman in Victorian society, when women’s bodies and minds are trafficked between fathers and husbands to cement male bonds. Pointed Roofs - Pilgrimage Vol. 1 (version 2) by Dorothy Richardson (1873 - 1957) LibriVox "Pointed Roofs" is the first volume of "Pilgrimage," a series of thirteen autobiographical novels by Dorothy Richardson considered to have pioneered the "stream of consciousness" technique of writing. In a review of Pointed Roofs (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term "interior monologue." Miriam Henderson, the central character in Pilgrimage, is based on the author's own life between 1891 and 1915. Richardson also important as a feminist writer because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923 noted that Richardson "has invente

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