Electronic Music of Conrad Schnitzler—A Retrospective, Part 1 episode artwork

EPISODE · Jan 13, 2025 · 1H 32M

Electronic Music of Conrad Schnitzler—A Retrospective, Part 1

from The Holmes Archive of Electronic Music · host Thom Holmes

Episode 138 Electronic Music of Conrad Schnitzler—A Retrospective, Part 1. Playlist Time Track Time* Start Introduction –Thom Holmes 06:06 00:00 Conrad Schnitzler, “Meditation” from Rot (Red) (1973 Conrad Schnitzler Self-released. Composed, performed, recorded, and produced by Conrad Schnitzler. 19:44 08:28 Conrad Schnitzler, “Die Rebellen Haben Sich In Den Bergen Versteckt” from Blau (Blue) (1974 Conrad Schnitzler Self-released. Composed, performed, recorded, and produced by Conrad Schnitzler. 18:44 28:06 Conrad Schnitzler, “05/1975 B (6:11),” “05/1975 A (4:29),” “12/1975 A (1:53),” “14/1975 A (2:21),” “03/1975 A” from Filmmusik 2 (2017 Bureau B). Composed, performed, recorded, and produced by Conrad Schnitzler.These works were for composed for films that did not yet (most never) existed. They date from 1975 and fill an interesting niche in his work from the time. These shorter works contrast nicely to the extended works that he was producing up until this time. 18:47 45:40 Conrad Schnitzler + Wolf Sequenza, “Nächte In Kreuzberg” (3:48), “Humpf” (2:51), “M5-477” (4:39), “Pendel” (4:16), “Wer Geht Da?” (3:46), and “Copacabana” (5:17) from Consequenz (1980 Conrad Schnitzler Self-released). Composed, performed, recorded, and produced by Conrad Schnitzler and  Wolf Sequenza (Wolfgang Seidel). 24:36 01:05:22 Note: These are all complete album sides. For Filmmusic 2 and Consequenz, the album sides include several individual tracks and the timings for each are shown in parentheses in the descriptions above. Opening background music: Conrad Schnitzler, “Untitled” (excerpt, side A) of the Red Cassette (1974 Conrad Schnitzler Self-released) (09:08).   Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.      

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For this episode, I return to a profile of the vintage recordings of an individual artist. This would be the late Conrad Schnitzler whose influence and collaborations in German electronic music are legendary.

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Electronic Music of Conrad Schnitzler—A Retrospective, Part 1

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