Emily Mitchell on the power of speculative fiction in strange times

On this edition of Madison BookBeat, host Sara Batkie chats with author Emily Mitchell about her new short story collection, The Church of Divine Electricity, now available from University of Wisconsin Press. Delightfully blending literary fiction with speculative genres, the stories in The Church of Divine Electricity somehow manage to feel as though they could take place today. In Emily Mitchell’s created worlds, as in our own, technology bewitches, especially with its ability to heighten both connections and isolation. Whether being held by a giant and comforting machine, allowing micro-drones to record one’s every moment for a year to win prize money, or choosing self-mutilation in exchange for a bionic hand, these characters navigate technological and social change. The familiar can turn unrecognizable and disorienting—sometimes in a flash, sometimes gradually. Lyrical, haunting, and often funny, these stories ask us to consider what—and who—gets left out of a seemingly utopian future of technological advancements. Finely observed, thoughtful, and vivid, Mitchell’s stories get under your skin. It’s not that the best-laid plans could lead us astray—it’s that they may already have.  Emily Mitchell, associate professor of English at the University of Maryland, is the author of a collection of short stories, Viral, and a novel, The Last Summer of the World. Her fiction has appeared in Harper’s, Ploughshares, The Sun, and elsewhere; her nonfiction has been published in the New York Times, the New Statesman, and Guernica. She serves as fiction editor for the New England Review. Author photo by J.M. Tyree.