Emotions Conference 2016 (18 of 20)| Don Saliers | Processing Emotions Musically

This paper begins by setting out several important theories of how music is claimed to “express” human emotions.  An inevitable comparison follows with how human emotions are linguistically constituted and expressed.   This, in turn, highlights the complexity of musical “syntax” and “grammar”  as well as the limits of language—or at least the limits of “cognitive” theories of emotion. Contrasting examples of music will be drawn from Bach, Copeland and Art Tatum’s jazz piano .  I will conclude with some threshold questions about how neuropsychology may contribute to our understanding of relations between music and human emotion. (February 12, 2016) If you would like to become an AFFILIATE of the Center, please let us know.Subscribe to our YouTube channel to get updates on our latest videos.Follow along with us on Instagram |  Facebook NOTE:  The views and opinions expressed by the speaker do not necessarily reflect those held by the Center for Mind, Brain, and Culture or Emory University.