Energy lawyer Vince Zabielski + Sizewell C gets go-ahead

Nuclear energy lawyer Vince Zabielski, partner at Pillsbury Winthrop Shaw Pittman, has advised on numerous nuclear energy projects across the world, including the UAE nuclear new-build programme as well as those in Turkey, Bulgaria and the United Kingdom.A mechanical engineer before moving into law, he tells host Alex Hunt about the haircut that launched his career in nuclear, his switch to the law, and explains the important role played by nuclear energy lawyers which is, he says, essentially "problem solving", for example finding a path forward on risk allocation to allow what are giant projects to go ahead.Based in Pillsbury's London office, Zabielski talks about the recent announcements from the UK about Sizewell C funding and explains the benefits of the Regulated Asset Base financing system which is being used there, rather than the Contracts for Difference system used at the Hinkley Point C project and explains why he hopes the RAB system will be adopted elsewhere in Europe.He also talks about the challenge ahead to meet the ambitious goals for future nuclear energy capacity, including how regulators can help. And he explains why he'd encourage young people to consider a career in nuclear power.Also in this episode, in the news round-up, Claire Maden reports on the UK Government taking the Final Investment Decision on Sizewell C - which will feature two EDF EPRs with a capacity of 3.2GW - and the finalising of the project shareholdings. She also outlines the key findings of the OECD Nuclear Energy Agency's Small Modular Reactor Dashboard, which has identified 127 different SMR designs around the world.Key links to find out more:World Nuclear NewsSizewell C gets final go-ahead decisionThere are now 127 different SMR designs, finds NEA reportThe NEA SMR Digital DashboardPillsbury: Vince ZabielskiEmail newsletter:Sign up to the World Nuclear News daily or weekly news round-upsContact info:[email protected] credit:  Presenter Alex Hunt. Co-produced and mixed by Pixelkisser Production