Enrique Chagoya on invisible censorship, keeping our humanity, and uselessness

What happens to an artist — and to an entire creative ecosystem — when four major galleries close in a single month, when university endowments are taxed at twenty times the old rate, and when the art market itself becomes the most invisible form of censorship?In this episode, host Hugh Leeman sits down with acclaimed artist and longtime Stanford professor Enrique Chagoya — whose work has been exhibited in museums around the world, censored on two continents, and once destroyed with a crowbar — for a wide-ranging, unflinching conversation about the economics of art, the collapse of Bay Area art institutions, and why the humanities may be our only defense against an AI future.Chagoya traces the closing of Anglim Trimble Gallery and the "perfect storm" that has reshaped the art market since 2008. He reflects on his decision to retire from Stanford after thirty-one years, the layoffs and funding cuts reshaping academia, and the devastating closures of the San Francisco Art Institute and CCA. And he closes with something genuinely hopeful: a meditation on neuroplasticity, synesthesia, and why making art — useless, unsellable, joyful art — is one of the most human things we can do.