Ep 12 - What Does It Take to Get a TV Show On Air episode artwork

EPISODE · May 14, 2024 · 37 MIN

Ep 12 - What Does It Take to Get a TV Show On Air

from The Creative Cut Up · host Felicia Pride, Driadonna Roland, Georgette Pierre

Send us Fan MailIs it just us or does the process of selling a TV show or film in Hollywood seemed cloaked in mystery? Like how is it done? And then once you sell it, how does it make it to air? There are many, many steps. So in this episode, we cut up about what it means to actually sell a show, the roles studios and networks play, why selling a show doesn’t guarantee it being greenlit, and why films are often easier to pitch than TV shows.Get our FREE minicourse Developing a Writing Process, Practice, and Schedule!Join We Create Daily, powered by Patreon, our hub for bonus content, exclusives, discounts, and more resources to support your craft and career.Follow us on Instagram.A breakdown of our chat:(00:04:56) Felicia’s experience of selling her first TV show(00:06:25) What happens during open writing assignments (OWAs)(00:10:53) The role of the studio and network when pitching a TV show(00:12:22) Setting up a show doesn’t mean you sold it(00:12:50) Understanding if-come deals(00:13:53) Next step after setting up an if-come deal(00:16:44) The challenges of getting a show on the air(00:18:38) The process when taking out a project yourself vs. an OWA(00:21:23) How the wrong attachments can hurt a project(00:23:55) Writers needing to wear their producer hats when pitching a show(00:26:24) Development hell(00:27:08) The difference between pitching a TV show vs. a film idea(00:30:37) Films taking a long time to make(00:30:59) How HONEY CHILE and other entities can position themselves to be more involved creatively(00:32:00) Selling a project doesn’t mean it’s greenlit(00:33:07) Our How We Create segment where Felicia, Dria, and Georgette share things inspiring them this weekHOW WE CREATE RecommendationsFelicia: Old Black ‘90s sitcomsGeorgette: The film Zola and Amazon Prime’s Mr. and Mrs. SmithLIKE WHAT YOU’VE HEARD?Please rate, subscribe, review, and tell a friend. The reviews really help our podcast reach other storytellers like yourself and be more discoverable across platforms.TAP INSign up for The Opportunity Roundup, our free, signature newsletter.Join We Create Daily, powered by Patreon, our hub for bonus content, exclusives, discounts, and more resources to support your craft and career.If you need help getting back into your creative practice, grab your copy of The Creative Comeback Workbook & Journal.And check out The Lab, our hub for courses and workshops.PRODUCTION CREDITSThis podcast is a production of The Create Daily. It was produced by Georgette Pierre and executive produced by Felicia Pride. It was edited by Wize Grazette of the Indie Creative Network.Our newsletter or show notes may contain affiliate links, so if you buy through them, we get a small commission (at no extra cost to you). We only recommend stuff we actually dig.*

Episode metadata supplied by the publisher feed · Published May 14, 2024

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Send us Fan Mail Is it just us or does the process of selling a TV show or film in Hollywood seemed cloaked in mystery? Like how is it done? And then once you sell it, how does it make it to air? There are many, many steps. So in this episode, we cut up about what it means to actually sell a show, the roles studios and networks play, why selling a show doesn’t guarantee it being greenlit, and why films are often easier to pitch than TV shows. Get our FREE minicourse Developing a Writing Proc...

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Ep 12 - What Does It Take to Get a TV Show On Air

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