EP. 123 We Break Down Who Deserves A Spot In The Rock And Roll Hall Of Fame And Why

Send us Fan MailThree things collided this week: desert heat, a driverless ride that actually worked, and a Rock and Roll Hall of Fame ballot that begged for a verdict. After a two-day run at Phoenix’s Extra Innings Music Festival, we came home with sunburned shoulders, a camera roll of Waymo selfies, and a sharper filter for what makes a set soar and a Hall candidate stick. Bret Michaels fired the opener like a pro, Dierks Bentley won over a skeptic with tight musicianship, and Luke Bryan closed with polish. Day two veered into debate territory: Shaboozey’s mash-up energy sparked mixed reactions, Hardy’s metal-leaning blast and gratuitous profanity lost the plot for me, and Kane Brown’s showmanship rallied the crowd. Somewhere between the stages, the real innovation was the commute—Waymo saved the night when rideshares choked, cheaper and calmer than the cab crush.Then we get to the main event: a full, no-spin look at the Rock Hall nominees and the blurry edges of “rock.” We run the entire list—Mariah Carey, Phil Collins, the Black Crowes, INXS, Iron Maiden, Oasis, Wu-Tang Clan, Shakira, Sade, Lauryn Hill, Billy Idol, Jeff Buckley, Pink, New Edition, Joy Division/New Order, Luther Vandross, and more—and use a simple test: did rock radio ever truly claim them? It’s not perfect, but it grounds a larger story about how the genre evolved from Elvis and Little Richard to the Beatles, Zeppelin, and the arena era without losing its core. With Spaz home sick, he still sends his five: Phil Collins, INXS, Iron Maiden, the Black Crowes, Oasis. I lock in four of those and sub in Billy Idol, making the case for Collins’ towering solo career, INXS’s MTV-era dominance, Maiden’s global influence, the Crowes’ long, soulful run, and Idol’s enduring catalog with Steve Stevens in tow.We don’t stop there. The snubs are loud: Boston’s studio revolution, Thin Lizzy’s twin-guitar blueprint, Styx and REO’s arena proof, J. Geils’ live fire, Meat Loaf and Jim Steinman’s operatic stamp, and the early rock legacy of Neil Sedaka. Agree? Furious? Tell us. Drop your five inductees and your most criminal omissions in the comments, then set a reminder: The Drunk Show goes live at 6 p.m. on March 13. Subscribe, hit the bell, share with a friend, and leave a five-star review if you dig the show. Your ballot starts now—who’s in and why?Support the showThanks for listening! Follow me on Instagram: benmaynardprogram and subscribe to my YouTube channel: THE BEN MAYNARD PROGRAMI also welcome your comments. email: [email protected]