Ep.186 Adam Brigland - Ministry of Arts Podcast episode artwork

EPISODE · Aug 17, 2022 · 57 MIN

Ep.186 Adam Brigland - Ministry of Arts Podcast

from Ministry of Arts Podcast · host Gart Mansfield

 In this episode Gary Mansfield speaks to Adam Brigland (@adam_bridgland) Since graduating from the Royal College of Art in 2006, Bridgland has used a diverse range of materials and working methods to pursue an incisive and often witty exploration of distinctively British sentiments, externalising the underlying sense of loss and nostalgia that permeates our memories. Vignettes of British back-packer’s holidays, old-fashioned bus-tours, and childhood seaside breaks that figure strongly in his visual repertoire are often tinged with this feeling of time having passed too quickly, our memories gradually fading. Twinned with this however, is an upbeat celebration of themes distilled from children’s colouring books, paint-by-numbers kits, old public transport posters and kitsch postcards, which he imbues with the kaleidoscopic richness of carefully chosen and thickly applied primary colours. These everyday, almost mundane subjects are treated with the importance and status of emblems; centred in each work and often encapsulated within related text or target-like circular borders that focus our gaze. Whether descriptive of change or constancy, Bridgland’s work keys into our desire to remember and relive, and plays upon our tendency to elevate our shared memories with the rose-tinted, wistful spectacles we don when thinking of the past, as well as the future. His depictions of identity and belonging, nostalgia and emotion give to his work a hugely personal aspect, and are influenced by a graphic and visual tradition that is quite specific to Britain. Yet his subtle combinations of image and related text play on everyone’s perceptions of shared occasions. Perhaps then it is the delicately précised power of the experiences he attempts to capture that make Bridgland’s work so accessible to all. Text by Matthew Reeves, Independent Curator and Curator of East Wing Nine at the Courtauld Institute of the Arts.  For more information on the work of Adam Brigland go tohttps://adambridgland.co.uk Kensington + Chelsea Art Week (KCAW) is delighted to present its fifth annual Public Art Trail. West London will be brought to life with vibrant and immersive public art, free for all to enjoy for the duration of the summer.Opening on 18 June, the Public Art Trail will feature world-class sculpture, installations and exhibits throughout the borough. Presented across nine zones, the Art Trail will take up residence at some of West London’s most beautiful and iconic sites. For more information on the Kensington + Chelsea Art Week go tohttps:// www.kcaw.co.uk | @kcawlondon  To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: [email protected] Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Adam Brigland (@adam_bridgland) Since graduating from the Royal College of Art in 2006, Bridgland has used a diverse range of materials and working methods to pursue an incisive and often witty exploration of distinctively British sentiments, externalising the underlying sense of loss and nostalgia that permeates our memories. Vignettes of British back-packer’s holidays, old-fashioned bus-tours, and childhood seaside breaks that figure strongly in his visual repertoire are often tinged with this feeling of time having passed too quickly, our memories gradually fading. Twinned with this however, is an upbeat celebration of themes distilled from children’s colouring books, paint-by-numbers kits, old public transport posters and kitsch postcards, which he imbues with the kaleidoscopic richness of carefully chosen and thickly applied primary colours. These everyday, almost mundane subjects are treated with the importance and status of emblems; centred in each work and often encapsulated within related text or target-like circular borders that focus our gaze. Whether descriptive of change or constancy, Bridgland’s work keys into our desire to remember and relive, and plays upon our tendency to elevate our shared memories with the rose-tinted, wistful spectacles we don when thinking of the past, as well as the future. His depictions of identity and belonging, nostalgia and emotion give to his work a hugely personal aspect, and are influenced by a graphic and visual tradition that is quite specific to Britain. Yet his subtle combinations of image and related text play on everyone’s perceptions of shared occasions. Perhaps then it is the delicately précised power of the experiences he attempts to capture that make Bridgland’s work so accessible to all. Text by Matthew Reeves, Independent Curator and Curator of East Wing Nine at the Courtauld Institute of the Arts.  For more information on the work of Adam Brigland go tohttps://adambridgland.co.uk Kensington + Chelsea Art Week (KCAW) is delighted to present its fifth annual Public Art Trail. West London will be brought to life with vibrant and immersive public art, free for all to enjoy for the duration of the summer.Opening on 18 June, the Public Art Trail will feature world-class sculpture, installations and exhibits throughout the borough. Presented across nine zones, the Art Trail will take up residence at some of West London’s most beautiful and iconic sites. For more information on the Kensington + Chelsea Art Week go tohttps:// www.kcaw.co.uk | @kcawlondon  To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: [email protected] Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

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Ep.186 Adam Brigland - Ministry of Arts Podcast

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This episode is 57 minutes long.

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This episode was published on August 17, 2022.

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 In this episode Gary Mansfield speaks to Adam Brigland (@adam_bridgland) Since graduating from the Royal College of Art in 2006, Bridgland has used a diverse range of materials and working methods to pursue an incisive and often witty exploration...

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