Ep. 20 - The Power of Persistence and Social Skills, and the Editing of "Mare of Easttown" with editor Amy Duddleston, ACE episode artwork

EPISODE · Jul 27, 2021 · 53 MIN

Ep. 20 - The Power of Persistence and Social Skills, and the Editing of "Mare of Easttown" with editor Amy Duddleston, ACE

from Hollywood Editing Mentor

Amy Duddleston, ACE has over 30 years of experience in feature and television picture editing and most recently received two Emmy nominations for her work on HBO’s Mare of Easttown. Starting out as an apprentice editor, she made her way up to assistant editor working on films like My Own Private Idaho, Corrina, Corrina, and To Die For. As an editor, she has cut 20 features, including High Art, Laurel Canyon, Elegy, and Gus Van Sant’s remake of Psycho, as well as nearly 80 hours of television on series such as Dexter, The Killing, Vida, Hunters, and most recently, Mare of Easttown.In episode 20, Amy and I talk about the role persistence plays in launching and maintaining an editing career. It’s no mystery that it can be challenging to break in to this industry, but if we believe it’s possible, immersive ourselves in our goals, tune out any external distractions and stick with it, we will achieve our dreams. Amy also points out how 80% of success in this industry is having good communication and a positive attitude. While she has always been good at her job, it’s these social skills that have opened up opportunities for her.Amy and I also discuss how she got jobs when she first landed in LA by cold calling, the importance of finding a mentor, the difference between working in film and scripted television editorial, how saving money and managing our finances can help us with our editing career, tips for cutting dark or disturbing scenes, and of course we’ll talk about Amy’s experience editing Mare of Easttown and she’ll also share her biggest piece of advice for those trying to break in to film and scripted television editing in Hollywood. A lot of the advice Amy shares are things I applied on my own journey to Hollywood and I can tell you from experience…it works! Amy’s been doing this for over 30 years so she knows a thing or two about this industry. Definitely pay attention and take plenty of notes, there’s tons of great information in this one!We also dive into the following topics in episode 20:How reading an article in college about legendary editor Dede Allen inspired Amy to become an editorAmy’s first film intership in the editorial department of Revenge of the NerdsWorking harder to prove yourself as a female editor in HollywoodWorking from home and collaborating with directors and producersBeing mentored by editor Curtiss Clayton (My Own Private Idaho)The importance of putting yourself out there and telling people what your goals areWhat Amy really liked about editing scripted television showsHow the 2008 financial crisis had an effect on Amy’s editing careerAmy taking over the editing of all the episodes of Mare of Easttown when the other editor got firedExploring Mare’s (played by Kate Winslet) personal journey of self-growth in the editAmy explains the mystery behind the “Dog of Easttown”The benefit of taking a step back in your careerCheck out our free content and other resources! >>> SUBSCRIBE and leave a 5-star review on Apple Podcasts! >>>Original Music: "Apollo's Haze" and "Do You Want" by JesusdapnkFacebook: www.fb.com/jesusdapnkSoundcloud: www.soundcloud.com/jesusdapnkInstagram: @jesusdapnk

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Amy Duddleston, ACE has over 30 years of experience in feature and television picture editing and most recently received two Emmy nominations for her work on HBO’s Mare of Easttown. Starting out as an apprentice editor, she made her way up to assistant editor working on films like My Own Private Idaho, Corrina, Corrina, and To Die For. As an editor, she has cut 20 features, including High Art, Laurel Canyon, Elegy, and Gus Van Sant’s remake of Psycho, as well as nearly 80 hours of television ...

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Ep. 20 - The Power of Persistence and Social Skills, and the Editing of "Mare of Easttown" with editor Amy Duddleston, ACE

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