Ep 207: US-Backed Killing of Journalists in Gaza and the Limits of "Freedom of the Press" Sloganeering

"Western World Observes Press Freedom Day," gloated the United Press International newswire back in 1961. "Trump v. CNN: lawsuit becomes test case on press freedom," declared The Guardian in November 2018. "The 10 Best and Worst Countries for Press Freedom," says US News and World report in 2022. For decades, elite US media and government institutions have touted the sacred notion of freedom of the press. Our media, so we're told, have the legally enshrined latitude and responsibility to criticize, to interrogate, to expose. According to this same high-minded rhetoric, freedom of the press preserves our media's integrity and serves as a pillar of US democracy. This all sounds well and good. After all, media's ability to keep the public informed without constraints or compromise is intrinsically good and essential to any society - that's kinda the whole point of this show. But there are far more limitations to US-based frameworks of freedom of the press than our media, and our government, let on. Far too often, the concept of press freedom is limited by liberal formulations of negative rights, and even those, selectively applied depending on short term US interests. As the US-backed wholesale destruction of Gaza by Israel enters its 10 month and more than 140 journalists have been killed in the assault –– many deliberately targeted by the Israeli military –– Western elite sanctimony over their alleged commitment to press freedom has been revealed as hollow, its ideological cracks and contradictions apparent for all to see. On this episode, our Season 7 Finale, we examine lofty American conceptions of freedom of the press, especially as it emerged in the middle of the 20th century, looking at how US media organizations are more willing to award rights, sympathy, and security to those journalists and institutions who help prop up the usual State Department line. Our guests are documentarian Kavitha Chekuru and journalist Hoda Osman.